Stubbekøbing Church was built of limestone in the Late Romanesque period (c. 1200), with brick trimmings. In addition to its Renaissance altarpiece and pulpit, it has a variety of old frescos and wall decorations (1300–1500). The church was originally dedicated to St. Anne, for whom there is also a chapel, possibly created by the lords of Halskovgaard in the parish of Horbelev as they were remembered in the prayers offered on the feast of St Anne. There are references to the altars of Our Lady, St. Peter (1464) and St. Olaf (1535), and also to St. Gertrude's chapel (1497) although it is uncertain whether it was in the church itself. As a result of the church's lack of funds, on several occasions up to the end of the 16th century, the citizens were permitted to use the municipal taxes to pay for repairs to the church. Furthermore, in 1576, the Crown's part of the tithe from Moseby Parish on Falster was made available for building work for an unspecified number of years. In 1786, every church in Denmark donated a rigsdaler for building the church tower and in 1790 the State paid 1,000 rigsdaler for finishing the top of the tower which was used by sailors as a landmark.
The nave was built in the Late Romanesque period but only its south wall and east gable have been preserved, the remainder having been renovated in the same style. The original chancel has been replaced with the present brick structure, probably after a fire in the 13th century. The east gable still contains three slightly pointed windows. At the end of the 13th century, the west gable and the entire north side of the nave were torn down and the church was extended towards the west and north, although only a short stretch of wall around the northern chapel now remains. The tower and the chapels to the north were built of brick in the Late Romanesque style, probably in the second half of the 15th century. The chapel to the north of the nave, dedicated to St Anne, is a good example of architecture of the times, built in brick with belts of limestone. The chancel's north chapel to St Gertrude has belts of red and yellow brick. The upper portion of the tower has been rebuilt several times. By the end of the 19th century, the church was in such a poor state of repair that it was about to be demolished but in 1881, the architects Hermann Baagøe Storck and Vilhelm Ahlmann were invited to undertake a comprehensive restoration. They rebuilt the north side of the nave on the old foundations and the chancel arch was moved to the north. A further restoration was completed in 1995.
The nave is flanked by arches supported by half columns with trapezoidal capitals. The nave has a flat ceiling while the aisles are vaulted. Shortly after its construction in the 13th century, the chancel was cross-vaulted with dwarf pillars at the corners. The chancel's north chapel is also cross-vaulted. The Renaissance altarpiece (1618) was donated by the Dowager Queen Sophie, the mother of King Christian IV. The pulpit (1634) in the Auricular style is the work of Jørgen Ringnis. Similar to the pulpit in Nykøbing Church, it has five niches with carved figures of Christ and the four evangelists. The Late Gothic crucifix hanging in the chancel arch is from c. 1520. The font in Norwegian marble is from 1798 and the organ facade from 1860.References:
Glimmingehus is the best preserved medieval stronghold in Scandinavia. It was built 1499-1506, during an era when Scania formed a vital part of Denmark, and contains many defensive arrangements of the era, such as parapets, false doors and dead-end corridors, 'murder-holes' for pouring boiling pitch over the attackers, moats, drawbridges and various other forms of death traps to surprise trespassers and protect the nobles against peasant uprisings. The lower part of the castle's stone walls are 2.4 meters (94 inches) thick and the upper part 1.8 meters (71 inches).
Construction was started in 1499 by the Danish knight Jens Holgersen Ulfstand and stone-cutter-mason and architect Adam van Düren, a North German master who also worked on Lund Cathedral. Construction was completed in 1506.
Ulfstand was a councillor, nobleman and admiral serving under John I of Denmark and many objects have been uncovered during archeological excavations that demonstrate the extravagant lifestyle of the knight's family at Glimmingehus up until Ulfstand's death in 1523. Some of the most expensive objects for sale in Europe during this period, such as Venetian glass, painted glass from the Rhine district and Spanish ceramics have been found here. Evidence of the family's wealth can also be seen inside the stone fortress, where everyday comforts for the knight's family included hot air channels in the walls and bench seats in the window recesses. Although considered comfortable for its period, it has also been argued that Glimmingehus was an expression of "Knighthood nostalgia" and not considered opulent or progressive enough even to the knight's contemporaries and especially not to later generations of the Scanian nobility. Glimmingehus is thought to have served as a residential castle for only a few generations before being transformed into a storage facility for grain.
An order from Charles XI to the administrators of the Swedish dominion of Scania in 1676 to demolish the castle, in order to ensure that it would not fall into the hands of the Danish king during the Scanian War, could not be executed. A first attempt, in which 20 Scanian farmers were ordered to assist, proved unsuccessful. An additional force of 130 men were sent to Glimmingehus to execute the order in a second attempt. However, before they could carry out the order, a Danish-Dutch naval division arrived in Ystad, and the Swedes had to abandon the demolition attempts. Throughout the 18th century the castle was used as deposit for agricultural produce and in 1924 it was donated to the Swedish state. Today it is administered by the Swedish National Heritage Board.
On site there is a museum, medieval kitchen, shop and restaurant and coffee house. During summer time there are several guided tours daily. In local folklore, the castle is described as haunted by multiple ghosts and the tradition of storytelling inspired by the castle is continued in the summer events at the castle called "Strange stories and terrifying tales".