Stubbekøbing Church was built of limestone in the Late Romanesque period (c. 1200), with brick trimmings. In addition to its Renaissance altarpiece and pulpit, it has a variety of old frescos and wall decorations (1300–1500). The church was originally dedicated to St. Anne, for whom there is also a chapel, possibly created by the lords of Halskovgaard in the parish of Horbelev as they were remembered in the prayers offered on the feast of St Anne. There are references to the altars of Our Lady, St. Peter (1464) and St. Olaf (1535), and also to St. Gertrude's chapel (1497) although it is uncertain whether it was in the church itself. As a result of the church's lack of funds, on several occasions up to the end of the 16th century, the citizens were permitted to use the municipal taxes to pay for repairs to the church. Furthermore, in 1576, the Crown's part of the tithe from Moseby Parish on Falster was made available for building work for an unspecified number of years. In 1786, every church in Denmark donated a rigsdaler for building the church tower and in 1790 the State paid 1,000 rigsdaler for finishing the top of the tower which was used by sailors as a landmark.
The nave was built in the Late Romanesque period but only its south wall and east gable have been preserved, the remainder having been renovated in the same style. The original chancel has been replaced with the present brick structure, probably after a fire in the 13th century. The east gable still contains three slightly pointed windows. At the end of the 13th century, the west gable and the entire north side of the nave were torn down and the church was extended towards the west and north, although only a short stretch of wall around the northern chapel now remains. The tower and the chapels to the north were built of brick in the Late Romanesque style, probably in the second half of the 15th century. The chapel to the north of the nave, dedicated to St Anne, is a good example of architecture of the times, built in brick with belts of limestone. The chancel's north chapel to St Gertrude has belts of red and yellow brick. The upper portion of the tower has been rebuilt several times. By the end of the 19th century, the church was in such a poor state of repair that it was about to be demolished but in 1881, the architects Hermann Baagøe Storck and Vilhelm Ahlmann were invited to undertake a comprehensive restoration. They rebuilt the north side of the nave on the old foundations and the chancel arch was moved to the north. A further restoration was completed in 1995.
The nave is flanked by arches supported by half columns with trapezoidal capitals. The nave has a flat ceiling while the aisles are vaulted. Shortly after its construction in the 13th century, the chancel was cross-vaulted with dwarf pillars at the corners. The chancel's north chapel is also cross-vaulted. The Renaissance altarpiece (1618) was donated by the Dowager Queen Sophie, the mother of King Christian IV. The pulpit (1634) in the Auricular style is the work of Jørgen Ringnis. Similar to the pulpit in Nykøbing Church, it has five niches with carved figures of Christ and the four evangelists. The Late Gothic crucifix hanging in the chancel arch is from c. 1520. The font in Norwegian marble is from 1798 and the organ facade from 1860.References:
Bamberg is located in Upper Franconia on the river Regnitz close to its confluence with the river Main. Its historic city center is a listed UNESCO world heritage site.
Bamberg is a good example of a central European town with a basically early medieval plan and many surviving ecclesiastical and secular buildings of the medieval period. When Henry II, Duke of Bavaria, became King of Germany in 1007 he made Bamberg the seat of a bishopric, intended to become a 'second Rome'. Of particular interest is the way in which the present town illustrates the link between agriculture (market gardens and vineyards) and the urban distribution centre.
From the 10th century onwards, Bamberg became an important link with the Slav peoples, especially those of Poland and Pomerania. During its period of greatest prosperity, from the 12th century onwards, the architecture of this town strongly influenced northern Germany and Hungary. In the late 18th century Bamberg was the centre of the Enlightenment in southern Germany, with eminent philosophers and writers such as Georg Wilhelm Friedrich Hegel and E.T.A. Hoffmann living there.
Bamberg extends over seven hills, each crowned by a beautiful church. This has led to Bamberg being called the 'Franconian Rome'.