Stubbekøbing Church was built of limestone in the Late Romanesque period (c. 1200), with brick trimmings. In addition to its Renaissance altarpiece and pulpit, it has a variety of old frescos and wall decorations (1300–1500). The church was originally dedicated to St. Anne, for whom there is also a chapel, possibly created by the lords of Halskovgaard in the parish of Horbelev as they were remembered in the prayers offered on the feast of St Anne. There are references to the altars of Our Lady, St. Peter (1464) and St. Olaf (1535), and also to St. Gertrude's chapel (1497) although it is uncertain whether it was in the church itself. As a result of the church's lack of funds, on several occasions up to the end of the 16th century, the citizens were permitted to use the municipal taxes to pay for repairs to the church. Furthermore, in 1576, the Crown's part of the tithe from Moseby Parish on Falster was made available for building work for an unspecified number of years. In 1786, every church in Denmark donated a rigsdaler for building the church tower and in 1790 the State paid 1,000 rigsdaler for finishing the top of the tower which was used by sailors as a landmark.
The nave was built in the Late Romanesque period but only its south wall and east gable have been preserved, the remainder having been renovated in the same style. The original chancel has been replaced with the present brick structure, probably after a fire in the 13th century. The east gable still contains three slightly pointed windows. At the end of the 13th century, the west gable and the entire north side of the nave were torn down and the church was extended towards the west and north, although only a short stretch of wall around the northern chapel now remains. The tower and the chapels to the north were built of brick in the Late Romanesque style, probably in the second half of the 15th century. The chapel to the north of the nave, dedicated to St Anne, is a good example of architecture of the times, built in brick with belts of limestone. The chancel's north chapel to St Gertrude has belts of red and yellow brick. The upper portion of the tower has been rebuilt several times. By the end of the 19th century, the church was in such a poor state of repair that it was about to be demolished but in 1881, the architects Hermann Baagøe Storck and Vilhelm Ahlmann were invited to undertake a comprehensive restoration. They rebuilt the north side of the nave on the old foundations and the chancel arch was moved to the north. A further restoration was completed in 1995.
The nave is flanked by arches supported by half columns with trapezoidal capitals. The nave has a flat ceiling while the aisles are vaulted. Shortly after its construction in the 13th century, the chancel was cross-vaulted with dwarf pillars at the corners. The chancel's north chapel is also cross-vaulted. The Renaissance altarpiece (1618) was donated by the Dowager Queen Sophie, the mother of King Christian IV. The pulpit (1634) in the Auricular style is the work of Jørgen Ringnis. Similar to the pulpit in Nykøbing Church, it has five niches with carved figures of Christ and the four evangelists. The Late Gothic crucifix hanging in the chancel arch is from c. 1520. The font in Norwegian marble is from 1798 and the organ facade from 1860.References:
The Kalozha church of Saints Boris and Gleb is the oldest extant structure in Hrodna. It is the only surviving monument of ancient Black Ruthenian architecture, distinguished from other Orthodox churches by prolific use of polychrome faceted stones of blue, green or red tint which could be arranged to form crosses or other figures on the wall.
The church is a cross-domed building supported by six circular pillars. The outside is articulated with projecting pilasters, which have rounded corners, as does the building itself. The ante-nave contains the choir loft, accessed by a narrow gradatory in the western wall. Two other stairs were discovered in the walls of the side apses; their purpose is not clear. The floor is lined with ceramic tiles forming decorative patterns. The interior was lined with innumerable built-in pitchers, which usually serve in Eastern Orthodox churches as resonators but in this case were scored to produce decorative effects. For this reason, the central nave has never been painted.
The church was built before 1183 and survived intact, depicted in the 1840s by Michał Kulesza, until 1853, when the south wall collapsed, due to its perilous location on the high bank of the Neman. During restoration works, some fragments of 12th-century frescoes were discovered in the apses. Remains of four other churches in the same style, decorated with pitchers and coloured stones instead of frescoes, were discovered in Hrodna and Vaŭkavysk. They all date back to the turn of the 13th century, as do remains of the first stone palace in the Old Hrodna Castle.
In 2004, the church was included in the Tentative List of UNESCO"s World Heritage Sites.