Torkilstrup Church was built of hewn fieldstone rather than brick, indicating it is one of the oldest churches on the island from before 1160. The western part of the chancel and the nave from the Romanesque period are built of hewn fieldstone with a few limestone trimmings. Rounded-arch friezes, sometimes with ornamental lilies, decorate the north and south walls of the nave, indicating an early design. The round-arched south door is still in use while the north door is bricked up. In addition to the Romanesque window in the chancel, there are traces of Romanesque windows in the nave's north wall. The extension of chancel possibly occurred as early as the 14th century but could have been during the Late Gothic period when the tower and porch were added. One of the bells in the tower is dated 1491.
The low Romanesque chancel arch was probably adapted when cross-vaulting was added to the nave in the Gothic period. Traces of frescos from the second half of the 15th century have been found in the vaults. The altarpiece (1650) is the work of Jørgen Ringnis, as is the pulpit (1640). The altar painting (1840) is by Lucie Marie Ingemann, depicting the Bible story Suffer the little children to come unto me. An Early Gothic crucifix from c. 1300 hangs in the church. B. S. Ingemann's father, Søren Ingemann, is buried under the floor in the west section of the nave. The almost barrel-shaped Romanesque font of sculpted granite has a rope-shaped rim.References:
The Odeon of Herodes Atticus is a stone theatre structure located on the southwest slope of the Acropolis of Athens. It was built in 161 AD by the Athenian magnate Herodes Atticus in memory of his wife, Aspasia Annia Regilla. It was originally a steep-sloped theater with a three-story stone front wall and a wooden roof made of expensive cedar of Lebanon timber. It was used as a venue for music concerts with a capacity of 5,000. It lasted intact until it was destroyed and left in ruins by the Heruli in 267 AD.
The audience stands and the orchestra (stage) were restored using Pentelic marble in the 1950s. Since then it has been the main venue of the Athens Festival, which runs from May through October each year, featuring a variety of acclaimed Greek as well as International performances.