Sandby Church dates from the middle of the 13th century and it has a Romanesque chancel and nave and a Late Gothic tower. Little is known of the church's early history other than the Crown had clerical appointment rights before the Reformation. It remained under the Crown until 1679 when it was transferred to the episcopal authority of Funen. In 1726, it passed into the ownership of the Danneskiold-Samsøe til Lundegaard estate, later the seat of the Barony of Christiansdal under the Knuth dynasty. After the termination of the barony in 1804, the church was bought by the Hardenberg estate until it gained independence in 1912.
The church is built of red brick, now whitewashed, and has a red tile roof. In addition to the Romanesque chancel and nave, there was originally also an apse. The tower, porch and sacristy were added in the Late Gothic period. Toothed cornice decorations top the walls of the nave and chancel where traces of former rounded Romanesque windows and doors can still be seen.
The auricular Baroque altarpiece (originally an epitaph) and the pulpit and canopy, both from c. 1635, are probably the work of Hans Gudewerth the Younger (died 1671). Both finely decorated pieces have been carved with unusual skill. The pulpit has images of the Fall, Noah's Ark, the Resurrection and the Ascension of Jesus. The granite font is Romanesque. There is a bell from the Middle Ages and one cast in 1567. Late Gothic frescos have been uncovered on the segments of the sacristy vaults, probably representing the early fathers of the church. Pope Gregory with a green halo is depicted in the eastern segment while Jerome in his red cardinal's robes and hat can be seen in the northern segment.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.