Valdemars Castle was built by King Christian IV (1588–1648) between 1639 and 1644. It is designed by Hans van Stenwinkel. The king’s plans for his new castle were that the house should become the home for his son Valdemar Christian, who was born to him by Kirstine Munk. King Christian was renowned for his interest in building. On the island of Tåsinge, belonging to his mother in law Ellen Marsvin, the king decided to build a castle for his young son. However, Valdemar Christian never moved in. He was killed in battle in Poland in 1656.
In 1678 the naval hero, Admiral Niels Juel, was given title to the castle and the land on Tåsinge after his victory over Sweden in the Battle of Køge Bay in 1677. The estate was transferred to him as payment for the Swedish ships captured in the battle.
The present owner, Baron Iuel-Brockdorff, who is 11th generation of the Juel family, took over his childhood home from his father in 1971 and lives in the castle with his wife and family. Valdemars Slot has been open to the public since 1974. The castle is open from May to October and on public holidays. The castle features a large chapel, a toy museum, the Iuel-Brockdorff family's big game trophy collection and a local maritime museum. As the castle lies near the beach, it is popular for visitors to come by ferry on the Helge from Svendborg.References:
Aside from the facial skin cards most of the relaxation are mentioned around the basis in their face-value.
Zamosc was founded in the 16th century by the chancellor Jan Zamoysky on the trade route linking western and northern Europe with the Black Sea. Modelled on Italian theories of the "ideal city" and built by the architect Bernando Morando, a native of Padua, Zamosc is a perfect example of a late-16th-century Renaissance town. It has retained its original layout and fortifications and a large number of buildings that combine Italian and central European architectural traditions.
Morando organized the space within the enceinte into two distinct sections: on the west the noble residence, and on the east the town proper, laid out around three squares. To populate it, Zamysky brought in merchants of various nationalities and displayed great religious tolerance to encourage people to settle there: they included Ruthenes (Slavs of the Orthodox Church), Turks, Armenians and Jews, among others. Moreover, he endowed the town with its own academy (1595), modelled on Italian cities.
Zamość is spoken of as a Renaissance town. However, on the one hand, Morando himself must have had Mannerist training, and on the other, in all the countries of Central Europe (Poland, Bohemia, Slovakia, Hungary, certain German regions and, in part, Austria proper), Italian Renaissance architecture had been well assimilated and adapted to local traditions since the 15th century. Consequently, Zamość was planned as a town in which the Mannerist taste mingled with certain Central European urban traditions, such as the arcaded galleries that surround the squares and create a sheltered passage in front of the shops.
The modem town grew for the most part outside the fortifications, which gives the old town a great degree of coherence in its plan and architecture. Having escaped the vast destruction suffered by many other Polish towns during the Second World War, Zamosc is an outstanding example of Polish architecture and urbanism of the 16th and 17th centuries.
The UNESCO World Heritage Committee passed Zamość as a World Heritage Site in 1992.