Tillitse Church was built in the first half of the 13th century and extended towards the west in the early 17th century. Little is known of its ownership in the Middle Ages but the Crown had clerical appointment rights at the time of the Reformation. In 1648, it was transferred to the ownership of the Rudbjerggård Estate where over the years it was governed by F.B. Bülow and Gustav Smith. It came into the ownership of Gustav Smith c. 1850 and was transferred to the Friderichsen family in 1850. In c. 1880, it was taken over by Landsmandsbanken which transferred it to the local congragation in 1907.
The church consists of a Romanesuqe apse, chancel and nave. It was extended towards the west in 1625 with a porch on the west gable in 1856. An arched frieze decorates the upper apse, topped by a saw-toothed cornice. Its three finely finished Romanesque windows have now been bricked up. The profile of the chancel's former south door can still be seen. There is a saw-tooth decoration along the top of the chancel with a more recent cornice. The remains of the nave's south portal extend up to the roof. The old Romanesque windows have been replaced by modern pointed-arch windows. There are lesenes on the east corner but those on the west corner have been removed. There is also an arched decorated topped by a saw-toothed line along the top of the nave.
The carved altarpiece from 1642 is the work of Jørgen Ringnis. It bears the arms of Joachim von Barnewitz, Øllegaard Pentz and Hartwig Passow. The Renaissance pulpit from 1608 presents the arms of Knud Rud and Ellen Marsvin. The church also contains a sandstone epitaph for Joachim von Barnewitz (died 1626) and Øllegaard Pentz (died 1654). There is a Romanesque font.
There is a free-standing runestone listed as DR 212 in the Rundata catalog that is outside the church porch. It was originally found in the churchyard wall in c. 1627 and was later used as a foundation for the porch. Dated to the mid-11th century, it is 143 cm high and 81 cm wide. The stone contains two inscriptions which read (translated): 'Áskell, Súlki's son, had this stone raised in memory of himself. Ever will stand, while the stone lives, this memento, which Áskell produced. May Christ and Saint Michael help his soul.' and 'Tóki carved the runes in memory of Þóra, his stepmother, a good wife.'References:
The Amphitheatre of the Three Gauls was part of the federal sanctuary of the three Gauls dedicated to the cult of Rome and Augustus celebrated by the 60 Gallic tribes when they gathered at Lugdunum (Lyon). The amphitheatre was built at the foot of the La Croix-Rousse hill at what was then the confluence of the Rhône and Saône.
Excavations have revealed a basement of three elliptical walls linked by cross-walls and a channel surrounding the oval central arena. The arena was slightly sloped, with the building"s south part supported by a now-vanished vault. The arena"s dimensions are 67,6m by 42m. This phase of the amphitheatre housed games which accompanied the imperial cult, with its low capacity (1,800 seats) being enough for delegations from the 60 Gallic tribes.
The amphitheatre was expanded at the start of the 2nd century. Two galleries were added around the old amphitheatre, raising its width from 25 metres to 105 metres and its capacity to about 20,000 seats. In so doing it made it a building open to the whole population of Lugdunum and its environs.