Château de Carrouges is unusual in its combination of an austere fortress with a comfortable residence. Originally a Celtinc oppidum, or defensive hill town, located at the southernmost border of the Norman duchy of William the Conqueror, Carrouges was vainly besieged by the Plantagenets in 1136. It was destroyed by the English in 1367, at the beginning of the Hundred Years War. Jean de Carrouges a vassal of Pierre II, Count of Alençon, became famous as one of the combatants in the last judicial duel to be permitted in France, in 1386. Following his victory, he was appointed a knight of honor to Charles VI.
The heiress of Jean de Carrouges married Guillaume Blosset, and their son Jean Blosset was appointed grand seneschal of Normandy. He made advantageous marriages with two wealthy heiresses from Brittany, first, Marguerite de Derval, and second, Francoise of Chastel. These alliances gave Blosset the means of restoring and expanding the château, which had suffered great damage following its confiscation by Henry VI of England after the battle of Verneuil in 1424. Blosset built the north-eastern wing of the château, in which King Louis XI lodged on 11 August 1473.
Blosset died withough heir, and the château passed to his nephew Jean Le Veneur, Bishop of Lisieux. He became a cardinal in 1533 and constructed the Renaissance châtelet, known as the pavillon du cardinal Jean Le Veneur. At the time of the French Wars of Religion (1562–98), the château was again strengthened, with the construction of the western bastion, but during the following century the sumptuous grand apartments were built. In the 17th century, Tanneguy II Le Veneur (d.1652), was dispatched to England to negotiate the marriage of Henrietta Maria of France, sister of Louis XIII, to the future King Charles I. Tanneguy II lived on his estates at Tillières and left Carrouges to his brother Jacques, abbot of Silly.
In 1637, Jacques Le Veneur resigned his abbacy to devote himself entirely to Carrouges. He decorated the chateau and the park, starting from plans and drawings prepared by Maurice Gabriel, an architect from Argentan.At the end of the 18th century, Alexis Le Veneur, vicomte de Tillières (1746–1833), a soldier and progressive, was one of the supporters of the philosopher Jean-Jacques Rousseau. He was made a Count of the Empire by Napoleon Bonaparte. In total, the château remained in the La Veneur family for five centuries, until 23 April 1936, on which date Marie Gaston Tanneguy IX, comte Le Veneur de Tillières, sold the château into state ownership. It has been classed as a monument historique since 1927, and is now in the care of the Centre des monuments nationaux.
The Château de Carrouges is rectangular in plan, surrounded by a moat. The central courtyard opens on to a terrace to the south-west. Although elements survive from the 15th and 16th centuries, the majority of the architecture is in the Henri IV and Louis XIII styles. The frontage is constructed of red brick and granite, the roofs are of blue slates. The château also has a keep of the 14th century, two storeys high and topped by machicolations.The 16th century châtelet, or gatehouse, comprises four circular turrets, and was probably built by Jean Le Veneur. It is constructed of red and black bricks.
The ground floor of the east wing contains the service areas, while the first floor contains the state apartments. The apartments are decorated in Renaissance and traditional styles. The 'Louis XI room' contains a bed with fabric imitating Hungarian point stitch. The chimney breast in the antichambre d'honneur is decorated with a hunting scene. The dining room is furnished with a grantite chimney piece, with Corinthian capitals. Furniture is of the Louis XIV and Restoration styles. The Salon des Portraits contains portraits of the lords and owners of Carrouges. The Grand Salon occupies one corner of the building, the straw-coloured woodwork dates from the end of the 17th and the beginning of the 18th century. The main staircase, with its pink brick vaults, rests on four piles laid out in a square.References:
For centuries, the Astrakhan Kremlin was inapproachable stronghold in the south-eastern border of the Russia. The first construction of the Kremlin began in 1587-1588 under the guidance of I.G. Vorodkov, a lector of Discharge Order. He laid the first wooden fortress with powerful solid walls and towers. The place of construction was chosen on the hill, known as “Rabbit” or “Zayachii” in Russian.
During the reign of Ivan IV The Terrible and Boris Godunov the wooden fortress was rebuilt into a stone one. For the development of Kremlin walls and towers state-owned official masters were headed from Moscow to Astrakhan. For best results executives used the old, but very strong Tatar plinths which were brought from the ruins of the cities of the Golden Horde towns. Stone citadel was built by the type of Moscow Kremlin.
Next two centuries have become relatively calm for the Kremlin. Its buildings were repaired, rebuilt and renewed. However, in the beginning of 20th century after the October Revolution access to the Kremlin was closed. Instead it was transformed as a military post, where groups of Red Guards were formed the Military Revolutionary Committee was placed.
In January 1918 Astrakhan Kremlin was once again in the middle of fateful events, when supporters of Soviet power fought with Astrkhan Cossaks. They attacked The Red Army that was entrenched in the Kremlin, from roofs of nearby buildings. Serious destruction was caused to the Kremlin after this battle. In 1919 the Army was reorganized under the leadership of Kirov to protect the outfall of Volga and to defeat the White Guard troops and foreign interventionists.
Only after the end of the World War II the town opened the access to the Kremlin. At the same time Kremlin ceases to be subject of military purposes. In the mid-20th century significant restoration works were held, due to which many buildings, requiring urgent repairs were saved.
In 1974 the Astrakhan Kremlin became a museum. Nowadays citizens and tourists of Astrakhan have the access to museum exhibits of the lifestyle of the Astrakhan Garrison. Moreover they can see Casual Suits archers and scorers, elements of their weapons and ammunition, the exhibition dedicated to the history of popular uprisings and corporal punishment. In 2011, after the restoration of the kremlin, Guardhouse exposition was opened, which tells about the life of Astrakhan military garrison of the 19th century.
Construction of Assumption Cathedral began in 1699 and lasted almost 12 years. The bell tower was erected in 1710. The exterior of the Cathedral was decorated with molded brick and carved with white stone. Windows and dome heads were framed by columns in the style of Corinthian décor and semicircular arches were filled with paintings with biblical plot. Three of such arches were arranged on each side of the temple.
The cathedral was divided into two floors: the upper church is dedicated to the honor of the Assumption of the Blessed Virgin. Tall and light temple was intended for ceremonial worships during warm months. The lower church which is dark lightened and surrounded by the gallery columns.