Château de Falaise is best known as a castle, where William the Conqueror, the son of Duke Robert of Normandy, was born in about 1028. William went on to conquer England and become king and possession of the castle descended through his heirs until the 13th century when it was captured by King Philip II of France. Possession of the castle changed hands several times during the Hundred Years' War. The castle was deserted during the 17th century. Since 1840 it has been protected as a monument historique.
The castle (12th–13th century), which overlooks the town from a high crag, was formerly the seat of the Dukes of Normandy. The construction was started on the site of an earlier castle in 1123 by Henry I of England, with the 'large keep' (grand donjon). Later was added the 'small keep' (petit donjon). The tower built in the first quarter of the 12th century contained a hall, chapel, and a room for the lord, but no small rooms for a complicated household arrangement; in this way, it was similar to towers at Corfe, Norwich, and Portchester, all in England. In 1202 Arthur I, Duke of Brittany was King John of England's nephew, was imprisoned in Falaise castle's keep. According to contemporaneous chronicler Ralph of Coggeshall, John ordered two of his servants to mutilate the duke. Hugh de Burgh was in charge of guarding Arthur and refused to let him be mutilated, but to demoralise Arthur's supporters was to announce his death. The circumstances of Arthur's death are unclear, though he probably died in 1203.
In about 1207, after having conquered Normandy, Philip II Augustus ordered the building of a new cylindrical keep. It was later named the Talbot Tower (Tour Talbot) after the English commander responsible for its repair during the Hundred Years' War. It is a tall round tower, similar design to the towers built at Gisors and the medieval Louvre.Possession of the castle changed hands several times during the Hundred Years' War. The castle was deserted during the 17th century. Since 1840, Château de Falaise has been recognised as a monument historique by the French Ministry of Culture.
A programme of restoration was carried out between 1870 and 1874. The castle suffered due to bombardment during the Second World War in the battle for the Falaise pocket in 1944, but the three keeps were unscathed.References:
The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.
The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.
According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.
The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.
The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.
With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.