La Cambe military war grave cemetery contains of 21,000 German military personnel of World War II. It is maintained and managed by the German War Graves Commission. La Cambe was originally the site of a battlefield cemetery, established by the United States Army Graves Registration Service during the war, where American and German soldiers, sailors and airmen were buried in two adjacent fields.
After the war had ended on the continent and paralleling the work undertaken to repair all the devastation that the war had caused, work began on exhuming the American remains and transferring them in accordance with the wishes of their families. Beginning in 1945, the Americans transferred two-thirds of their fallen from this site back to the United States while the remainder were reinterred at the new permanent American Cemetery and Memorial at Colleville-sur-Mer, which overlooks the Omaha Beach landing site.
Because of the pace of the war, the German war dead in Normandy were scattered over a wide area, many of them buried in isolated field graves - or small battlefield cemeteries. In the years following the war, the German War Graves Commission (Volksbund Deutsche Kriegsgräberfürsorge) sought to establish six main German cemeteries in the Normandy area.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.