The Château de Bénouville was designed in 1769 by architect Claude Nicolas Ledoux and built in 1770-74 and 1776-80 at the request of Hyppolite-François Sanguin, marquis of Livry (1715–1789) and his marquise Thérèse Bonne Gillain de Bénouville, heiress of the property. Bénouville is one of the best preserved works of Ledoux, making it a major monument of neoclassical architecture at the end of the eighteenth century. Its monumental staircase and exterior architecture were very modern for the time.
The interior was under construction from 1778 to 1780 under the direction of Jean-François-Étienne Gilet, the architect of Caen. In 1792, it was purchased from the widowed marquise by a fermier général (tax collector) who was killed in guillotine in 1794. His daughter inherited the property which remained in that family until 1927. It then became the property of the general council of Calvados which turned it into a maternity hospital (singer Gérard Lenorman was born there). In 1980, it was rehabilitated and restored, opening its doors to the public in 1990.
The château is located on the west side of the Canal de Caen a la Mer, just southwest of the Pegasus Bridge, made memorable on D-Day, 1944. During the World War II the château/maternity hospital was run since 1935 by Madame Lea Vion, director who also led a resistance group. The maternity hospital became a hearth of resistance for the region: fugitive allied pilots and French youngsters unwilling to work for the Germans found a safe haven here. Weapons and a maquis-wireless transmitter were hidden here.
On D-Day morning soldier Wally Parr, a sharpshooter from the Ox and Bucks, fired some grenades from a German anti tank-gun towards and over the château, because he erroneously thought German snipers to be present upon the roof of the building, until Major Howard made him stop this activity. Howard told Parr there were women in labour inside the chateau. At this very same moment, however, German Lieutenant Hans Hoeller was standing on top of the château together with a sergeant and soldier in order to observe the canal bridge. Earlier Hans Hoeller had frustratingly found that his anti-tank troop could not pass through Bénouville, because of too heavy resistance from British parachutists belonging to A Company, 7th Para Battalion under command of Nigel Taylor. He sought a suitable place to set up his batteries. Madame Vion had tried in vain to stop Lt. Hoeller from entering the 'chateau'. Hoeller and his colleagues were subsequently forced by Wally Parr's grenades to retreat downstairs immediately before opening their own fire on the Ox and Bucks defending the canal bridge nearby.References:
Tyniec Benedictine abbey was founded by King Casimir the Restorer probably around 1044. Casimir decided to rebuild the newly established Kingdom of Poland, after a Pagan rebellion and a disastrous Czech raid of Duke Bretislaus I (1039). The Benedictines, invited to Tyniec by the King, were tasked with restoring order as well as cementing the position of the State and the Church. First Tyniec Abbot was Aaron, who became the Bishop of Kraków. Since there is no conclusive evidence to support the foundation date as 1040, some historians claim that the abbey was founded by Casimir the Restorer’ son, King Boleslaw II the Generous.
In the second half of the 11th century, a complex of Romanesque buildings was completed, consisting of a basilica and the abbey. In the 14th century, it was destroyed in Tatar and Czech raids, and in the 15th century it was rebuilt in Gothic style. Further remodelings took place in the 17th and 18th centuries, first in Baroque, then in Rococo style. The abbey was partly destroyed in the Swedish invasion of Poland, and soon afterwards was rebuilt, with a new library. Further destruction took place during the Bar Confederation, when Polish rebels turned the abbey into their fortress.
In 1816, Austrian authorities liquidated the abbey, and in 1821-1826, it was the seat of the Bishop of Tyniec, Grzegorz Tomasz Ziegler. The monks, however, did not return to the abbey until 1939, and in 1947, remodelling of the neglected complex was initiated. In 1968, the Church of St. Peter and Paul was once again named the seat of the abbot. The church itself consists of a Gothic presbytery and a Baroque main nave. Several altars were created by an 18th-century Italian sculptor Francesco Placidi. The church also has a late Baroque pulpit by Franciszek Jozef Mangoldt.