Phare de Gatteville, also known as Pointe de Barfleur Light, is an active lighthouse. At a height of 75 m it is the third tallest 'traditional lighthouse' in the world.
Strong currents and many shipwrecks at the tip of Barfleur, the most famous of which being the White Ship, necessitated building a lighthouse at the location. In 1774 a cylindrical 25 metres granite lighthouse with a stone rectangular main building were built. The lighthouse was topped with a coal fire. It was first lit on November 1, 1775, and was originally called Phare de Barfleur (Barfleur Lighthouse).
In September 1780 the lantern was replaced with 16 oil lamps with a fire glazed glass lantern and Tourtille-Sangrain reflectors.
In 1825 an upgrade of the lens was planned, requiring raising the tower an additional 32 metres, but the building proved not to be wide enough. Thus, the architect Charles-Félix Morice de la Rue drew plans for the tallest lighthouse in the world for that time. It was built 60 metres from the old lighthouse. Building took place from 1829 to 1835 and the light was first lit on April 1, 1835. The smaller tower's lantern was removed, and it was turned into a semaphore. It remains on site.
Vegetable oil was used until 1873, when it was replaced by mineral oil. On May 20, 1891 the name of the lighthouse was changed to Phare de Gatteville (Gatteville Lighthouse). On January 17, 1893 the lantern was replaced with an electric lantern.
In 1944 the lighthouse was liberated without major damage and quickly returned to operation. In 1948 it was connected to the electrical network. The lighthouse remained open to the public until 1996, when it was closed for renovation. It reopened July 5, 1997, as a lighthouse museum.
The tower is cylindrical with a gallery and a lantern. Visitors can climb 365 stairs to reach the gallery. The current light is a 1600 watt xenon lamp. One lamp is lit on clear days and two on bad weather.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.