The church of the suburb of Guibray, situated outside the walls of Falaise and to the south, occupies the primitive site of a pagan sanctuary, transformed into a chapel, in the Merovingian period, before 650.
In c. 1000, a new church was built, and re-worked between the end of the 11th century and the end of the 12th century, on a Romanesque plan with a central nave, two side aisles and a short transept, at the instigation of the abbey of the Trinité in Caen. The church is a dependency of the abbey of Caen like all the churches of Falaise through a donation in 1066 by the lord of Falaise, Mézidon and Ecajeul. The unity of the building was significantly disrupted by numerous re-workings, from the 13th century, but the façade from the 12th century has been preserved as well as the chevet from the end of the 11th century, with its three apses on several floors, very like those in Saint-Nicolas in Caen. The choir, stripped of its neo-classical decoration in 1986 has had its Romanesque arcatures restored to it. Some interesting Romanesque capitals top the pillars of the transept, choir and its side aisles.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.