The church in Pont-de-l’Arche had been dedicated to St. Vigor, the bishop of Bayeux, since at least of the 11th century. The present church maintained his memory. Built in the 16th century, overlooking the walls of the city, the church dominates the rivers Eure and Seine. The church was restored from 1865 to 1895 by MMrs Simon, an architect in Rouen, and Lefort, an architect from the Historic monuments in Seine-Maritime. The gothic building may have inspired Eustache-Hyacinthe Langlois, a native of Pont-de-l’Arche, who started speaking of flamboyant Gothic style, referring the boldly-shaped sculptures at the windows which suggest flames. The buttresses between the windows are in fat the piers of the flying buttresses.
The building consists of only one nave with six bays bordered by two aisles. The uncompleted apse accounts for the small size of the choir. The elevation inside the church is built on two floors. Two rows of windows bring in plenty of light, which reveals quite plain stonework.
The stained-glass window is the most reputed in the church. It was made in 1605 by a glassworker from Rouen. The humblest people in the city put up money for it and it shows how important the towing of boats on the Seine was, (people had to tow them under an arch of the bridge). Thus, in the foreground, the window shows the “fort de Limaie”, which stood on the right bank of the Seine (where Igoville is now). In the middleground, there is the bridge which gave the city its name, and in the background, the first walls which were built around Pont-de-l’Arche.
The church shelters an organ built in 1608 by Jean Oury in Crépin Carlier’s workshop (he being an organ-builder in Rouen). The retables come from Notre-Dame de Bonport. The sculptures represent lions which probably refer to Richard the Lionheart, who founded the abbey in 1190.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.