Jumièges Abbey was founded in 654 on a gift of forested land belonging to the royal fisc presented by Clovis II and his queen, Balthild, to the Frankish nobleman Filibertus, who had been the companion of Saints Ouen and Wandrille at the Merovingian court of Dagobert I. Under the second abbot, Saint Achard, Jumièges prospered and soon numbered nearly a thousand monks.
In the 9th century it was pillaged and burnt to ground by the Vikings, but was rebuilt on a grander scale by William Longespee, Duke of Normandy (d. 942). A new church was consecrated in 1067 in the presence of William the Conqueror.
Enjoying the patronage of the dukes of Normandy, the abbey became a great centre of religion and learning, its schools producing, amongst many other scholars, the national historian, William of Jumièges. It reached the zenith of its fame about the eleventh century, and was regarded as a model for all the monasteries of the province. It was renowned especially for its charity to the poor, being popularly called 'Jumièges l'Aumônier'.
The church was enlarged in 1256, and again restored in 1573. The abbots of Jumièges took part in all the great affairs of the church and state. One of them, Robert Champart, became Archbishop of Canterbury in 1051, after being Bishop of London. Many others became bishops in France, and some were also raised to the dignity of cardinal.The fortunes of the abbey suffered somewhat through the English invasion of the fifteenth century, but it recovered and maintained its prosperity and high position until the whole province was devastated by the Huguenots and the Wars of Religion. In 1649, during the abbacy of Francis III, Jumièges was taken over by the Maurist Congregation, under which rule some of its former grandeur was resuscitated.
The French Revolution, however, ended its existence as a monastery, leaving only impressive ruins. These comprise the church, with its beautiful twin towers and western façade, and portions of the cloisters and library, the contents of which were removed to Rouen when the abbey was dissolved. In the middle of the former cloister, there is still the 500 year-old yew tree. A gallery of the cloister was bought by Lord Stuart de Rothesay to rebuild it in Highcliffe Castle near Bournemouth, Sussex.
The Nobel Prize-winning French novelist Roger Martin du Gard devoted his dissertation to an archaeological study of the ruins.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.