Jumièges Abbey was founded in 654 on a gift of forested land belonging to the royal fisc presented by Clovis II and his queen, Balthild, to the Frankish nobleman Filibertus, who had been the companion of Saints Ouen and Wandrille at the Merovingian court of Dagobert I. Under the second abbot, Saint Achard, Jumièges prospered and soon numbered nearly a thousand monks.
In the 9th century it was pillaged and burnt to ground by the Vikings, but was rebuilt on a grander scale by William Longespee, Duke of Normandy (d. 942). A new church was consecrated in 1067 in the presence of William the Conqueror.
Enjoying the patronage of the dukes of Normandy, the abbey became a great centre of religion and learning, its schools producing, amongst many other scholars, the national historian, William of Jumièges. It reached the zenith of its fame about the eleventh century, and was regarded as a model for all the monasteries of the province. It was renowned especially for its charity to the poor, being popularly called 'Jumièges l'Aumônier'.
The church was enlarged in 1256, and again restored in 1573. The abbots of Jumièges took part in all the great affairs of the church and state. One of them, Robert Champart, became Archbishop of Canterbury in 1051, after being Bishop of London. Many others became bishops in France, and some were also raised to the dignity of cardinal.The fortunes of the abbey suffered somewhat through the English invasion of the fifteenth century, but it recovered and maintained its prosperity and high position until the whole province was devastated by the Huguenots and the Wars of Religion. In 1649, during the abbacy of Francis III, Jumièges was taken over by the Maurist Congregation, under which rule some of its former grandeur was resuscitated.
The French Revolution, however, ended its existence as a monastery, leaving only impressive ruins. These comprise the church, with its beautiful twin towers and western façade, and portions of the cloisters and library, the contents of which were removed to Rouen when the abbey was dissolved. In the middle of the former cloister, there is still the 500 year-old yew tree. A gallery of the cloister was bought by Lord Stuart de Rothesay to rebuild it in Highcliffe Castle near Bournemouth, Sussex.
The Nobel Prize-winning French novelist Roger Martin du Gard devoted his dissertation to an archaeological study of the ruins.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.