The Royal Palace was built in the first half of the 19th century as the Norwegian residence of King Charles III, who also reigned as king of Sweden and otherwise resided there, and is the official residence of the present Norwegian monarch. The crown prince resides at Skaugum in Asker west of Oslo. The palace has 173 rooms.
Until the completion of the Royal Palace, Norwegian royalty resided in Paleet, the magnificent town house in Christiania that the wealthy merchant Bernt Anker bequeathed to the State in 1805 to be used as a royal residence. During the last years of the union with Denmark it was used by the viceroys of Norway, and in 1814 by the first king of independent Norway, Christian Frederick. King Charles III John of the Bernadotte dynasty resided there as crown prince (1814-1818) and later as king during his frequent visits to his Norwegian capital.
Charles John chose the site for the permanent Royal Palace on the western side of Christiania in 1821 and commissioned the officer and inexperienced architect, Danish-born Linstow, to design the building. The Parliament approved the stipulated cost of 150 000 Speciedaler to be financed by the sale of government bonds. Work on the site started in 1824, and on 1 October 1825 the king laid down the foundation stone beneath the altar of the future Royal chapel. Linstow originally planned a building of only two storeys with projecting wings on both sides of the main facade.
The costly foundation works caused the budget to be exceeded, and the building had to stop in 1827, only to be resumed in 1833. In the meantime, the Storting refused additional grants as a demonstration against the king's unpopular efforts to establish a closer union between his two kingdoms. In 1833, Linstow produced a less costly project without the projecting wings, but with a third storey as compensation. Improved relations with the king made the Storting grant the necessary funds to complete the building. The roof was laid in 1836, and the interiors were finished during the late 1840s. King Charles John never had the pleasure of residing in his palace before he died in 1844, and its first occupants were his son Oscar I and his queen Josephine. It was soon found that the royal family needed a more spacious residence, and the wings facing the garden were extended. Before the official inauguration in 1849, the central colonnade that had been axed in 1833 was reintroduced, and the provisional steep roof was replaced by a more elegant and more expensive flat roof.
The next Bernadotte kings Charles IV and Oscar II continued to use the Royal Palace in Christiania, but spent most of their time in Stockholm. King Oscar's wife, Sophia of Nassau, preferred to spend summers in Norway, but mostly stayed at the country manor Skinnarbøl near the Swedish border for the sake of her health. Oscar II was absent from his Palace during 1905, the year of the dissolution of the union with Sweden, but his son, then Crown Prince Gustaf, paid two short visits in his vain attempts to save the union.
The Bernadotte dynasty resigned their Norwegian throne in 1905 and was succeeded by Prince Carl of Denmark, who took the name of Haakon VII when he accepted his election as king of completely independent Norway. He was the first monarch to use the Palace as his permanent residence.
During the reign and residence of King Olav V from 1957 to 1991, there was no money for renovation, something the poor build quality of the original structure direly needed. After Norway mutated from Scandinavia's poor house to its most wealthy member, the current monarch, King Harald V, could start a comprehensive renovation project. He was criticized because of the amount of money needed to bring the Palace up to a satisfactory state even if much of this went to rectify construction deficits from a century and a half ago. Since public tours began in 2002, the general public has been able to view and appreciate the renovation and splendour that the palace now boasts.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.