The main attractions at the Viking Ship Museum are the Oseberg ship, Gokstad ship and Tune ship. Additionally, the Viking Age display includes sledges, beds, a horse cart, wood carving, tent components, buckets and other grave goods. Many fully or nearly fully intact Viking ships are on display. Its most famous ship is the completely whole Oseberg ship.
In 1913, Swedish professor Gabriel Gustafson proposed a specific building to house Viking Age finds that were discovered at the end of the 19th and the beginning of the 20th century. The Gokstad and Oseberg ships had been stored in temporary shelters at the University of Oslo. An architectural contest was held, and Arnstein Arneberg won. The hall for the Oseberg ship was built with funding from the Parliament of Norway, and the ship was moved from the University shelters in 1926. The halls for the ships from Gokstad and Tune were completed in 1932. Building of the last hall was delayed, partly due to the Second World War, and this hall was completed in 1957. It houses most of the other finds, mostly from Oseberg.References:
The Viking Ship Museum is an amazing place to visit! As soon as you open the door you see the beautiful Oseberg ship which only begins to show the unbelievable craftsmanship of the Vikings. I visited Norway with a friend and it was the very first thing that I wanted to see and it was worth it!!
The St Sophia's Cathedral was built between 1045-1050 inside the Novgorod Kremlin (fortress). It is one of the earliest stone structures of northern Russia. Its height is 38 m. Originally it was taller, for during the past nine centuries the lower part of the building became concealed by the two-metre thick cultural layer. The cathedral was built by Prince Vladimir, the son of Yaroslav the Wise, and until the 1130s this principal church of the city also served as the sepulchre of Novgorodian princes. For the Novgorodians, St Sophia became synonymous with their town, the symbol of civic power and independence.
The five-domed church looks simpler but no less impressive than its prototype, the thirteen-domed St Sophia of Kiev. The cathedral exterior is striking in its majesty and epic splendour evoking the memories of Novgorod's glorious past and invincible might. In the 11th century it looked more imposing than now. Its facade represented a gigantic mosaic of huge, coarsely trimmed irregular slabs of flagstone and shell rock. In some places (particularly on the apses), the wall was covered with mortar, smoothly polished, drawn up to imitate courses of brick or of whitestone slabs, and slightly coloured. As a result, the facade was not white, as it is today, but multicoloured. The play of stone, decorative painting and the building materials of various texture enhanced the impression of austere simplicity and introduced a picturesque effect.
The two-storied galleries extend along the building's southern, western and northern sides, with a stair-tower constructed at the north-eastern corner. The cathedral has three entrances - the southern, western and northern, of which the western was the main one intended for ceremonial processions. A gate standing at the entrance is known as the Sigtuna Gate (mid-12th century); according to legend, it was brought from the Swedish town of Sigtuna in 1187. The second name of the gate derives from the town of Magdeburg, where it was made. The two leaves are decorated with biblical and evangelical scenes in cast bronze relief. In the lower left corner there are portraits of the craftsmen who created this superb specimen of medieval Western European bronze-work. An inscription in Latin gives their names, Riquin and Weissmut. The small central figure - judging from an inscription in Slavonic - is a representation of the Russian master craftsman Avraam, who assembled the gate.
There is yet another bronze gate in the cathedral, called the Korsun Gate. Made in the 11th century in Chersonesos, Byzantium, it leads from the southern gallery into the Nativity Side-Chapel. Legend has it that the gate was handed over to Novgorod as a gift of Prince Yaroslav the Wise (c. 978 - 1054).
The interior of the cathedral is as majestic as its exterior. It is divided by huge piers into five aisles, three of which end in altar apses. In the south-western corner, inside the tower, there is a wide spiral in relatively small, modest buildings of the 12th - 16th centuries.