The stave churches constitute one of the most elaborate types of wood construction which are typical of northern Europe from the Neolithic period to the Middle Ages. Christianity was introduced into Norway during the reign of St Olav (1016-30). The churches were built on the classic basilical plan, but entirely of wood. The roof frames were lined with boards and the roof itself covered with shingles in accordance with construction techniques which were widespread in Scandinavian countries.
Among the roughly 1,300 medieval stave churches indexed, about 30 remain in Norway. Some of them are very large, such as Borgund, Hopperstad or Heddal churches, whereas others, such as Torpo or Underdal, are tiny. Urnes Church was selected to represent this outstanding series of wood buildings for a number of reasons, which make it an exceptional monument:Its antiquity: This church, which was rebuilt towards the mid-12th century, includes some elements originating from a stave church built about one century earlier whose location was revealed by the 1956-57 excavations.
The exemplary nature of its structure: This is characterized by the use of cylindrical columns with cubic capitals and semicircular arches, all of which use wood, the indigenous building material, to express the language of stone Romanesque architecture.
The outstanding quality of its sculpted monumental decor: On the outside, this includes strapwork panels and elements of Viking tradition taken from the preceding building (11th century). In the interior is an amazing series of 12th-century figurative capitals that constitute the origin of the Urnes Style production.
The wealth of liturgical objects of the medieval period: This includes Christ, the Virgin and St John as elements of a rood beam, a pulpit of sculpted wood, enamelled bronze candlesticks, the corona of light, etc.
Excellent conservation of a perfectly homogeneous ensemble: The embellishment of the 17th century (1601 and c. 1700) and the restorations of 1906-10 preserved its authenticity completely.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.