Kaupanger Stave Church is the largest stave church in Sogn og Fjordane. The nave is supported by 22 staves, 8 on each of the longer sides and 3 on each of the shorter. The elevated chancel is carried by 4 free standing staves. The church has the largest number of staves to be found in any one stave church. It is still in use as a parish church, having been in use continuously since its erection.
Kaupanger Stave Church was built in the 12th century, and is situated on the ruins of what might be two previous post churches. Kaupanger was a market town that King Sverre burned down in 1184 to punish the local inhabitants for disobeying him. It was previously thought that the stave church previously standing on this site burned down in this fire, as archaeological research in the 1960s revealed that the previous church had burned down. The present church was therefore believed to have been built around 1190. Recent research has changed these assumptions. Dendrochronology has shown that the timber used for building the church was cut in 1137. Also, Sverris saga makes no mention of the burning of the church at the time the town was burnt. Consequently, it is now assumed that the church was built around 1150.
Several restoration projects have taken place both inside the church and on the exterior, but in spite of these changes, the medieval construction has been preserved. The pulpit, altarpiece and font are all from the 17th century. In 1984, composer Arne Nordheim was inspired by the neumes and the sound of the medieval bells in Kaupanger stave church in composing the work Klokkesong, which was first performed inside the church as part of the 800th commemoration of the Battle of Fimreite.References:
Augustusburg Palace represents one of the first examples of Rococo creations in Germany. For the Cologne elector and archbishop Clemens August of the House of Wittelsbach it was the favourite residence. In 1725 the Westphalian architect Johann Conrad Schlaun was commissioned by Clemens August to begin the construction of the palace on the ruins of a medieval moated castle.
In 1728, the Bavarian court architect François de Cuvilliés took over and made the palace into one of the most glorious residences of its time. Until its completion in 1768, numerous outstanding artists of European renown contributed to its beauty. A prime example of the calibre of artists employed here is Balthasar Neumann, who created the design for the magnificent staircase, an enchanting creation full of dynamism and elegance. The magical interplay of architecture, sculpture, painting and garden design made the Brühl Palaces a masterpiece of German Rococo.
UNESCO honoured history and present of the Rococo Palaces by inscribing Augustusburg Palace – together with Falkenlust Palace and their extensive gardens – on the World Heritage List in 1984. From 1949 onwards, Augustusburg Palace was used for representative purposes by the German Federal President and the Federal Government for many decades.
In 1728, Dominique Girard designed the palace gardens according to French models. Owing to constant renovation and care, it is today one of the most authentic examples of 18th century garden design in Europe. Next to the Baroque gardens, Peter Joseph Lenné redesigned the forested areas based on English landscaping models. Today it is a wonderful place to have a walk.