Vangen Church was built in 1202 or 1280 depending the reference. It was built by an ancient family who lived in Aurland in the Viking Age and Middle Ages. The church is built in the early Gothic style influenced by English architecture. A document written in 1714 tells us that the English merchants used to stay in Aurland during long periods to buy different articles and they are supposed to have taken part in the building of the church. Most likely they would have been the master builders.
In 1725, the Danish-Norwegian government was experiencing financial problems and King Frederick IV sold the church. The church remained as private property until the late 19th century. Then the municipality bought Vangen church back for 500 kroner.
The pulpit dates back to the 17th century, the two candlesticks on the altar date from 1637. At the last restoration in 1926, the original colors and designs were uncovered. Then the ceiling was taken away and the baldachin over the pulpit was brought back again. A new altarpiece was made. The Norwegian artist Emanuel Vigeland made the stained glass windows (two of the windows in the chancel illustrate the Parable of the Prodigal Son, and the one in the middle is Jesus Christ, the Savior).References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.