Grip Stave Church is one of Norway's smallest churches (it is only 12m long and 6,5m wide). The church was built in about 1470 at the island's highest point. The church is of the Møre type, being structurally similar to the larger Kvernes and Rødven stave churches. Because of the barren nature of the island, there is no cemetery on the church grounds, and bodies had to be buried elsewhere, in the cemetery of Bremsnes Church, over 10 kilometres away over open sea.
It underwent major modifications in 1621 when the walls were replaced, and a flèche was added. Today's windows were installed in the 1870s, and at the same time both a weaponhouse and a sacristy were added. During restoration work in 1933 a new foundation was added, and the exterior walls were panelled. All this rebuilding is why the exterior does not resemble the more typical Norwegian stave churches.
The altar is a triptych from Utrecht in the Netherlands, dated to about 1520, with a central sculpture of the Blessed Virgin Mary, flanked by sculptures of Saint Olaf of Norway and Saint Margaret the Virgin, locally known as St. Maret.According to legend, the triptych is one of five altars donated to Norwegian churches by princess Isabella of Austria after being escorted by Erik Valkendorf, Archbishop of Norway, in terrible weather en route to her wedding in Copenhagen with the Danish king Christian II in 1515. Other altars were donated to the churches of Kinn, Leka, Hadsel and Røst. The five altars are referred to by art historians as the Leka group. Four of the altars have survived intact to this day, but Grip has the only complete altar in the original church.
Despite having sculptures of three saints, the altar survived the protestant reformation of Norway in 1537. The altar was restored in 2002. The church also has a small altar cup from 1320, a 16th-century double-sided painting on canvas, murals from the 1621 modifications, and two votive ships.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.