Værnes Church, the oldest building in Stjørdal, was built around 1085-1100. It was nearly started at the same time as the Nidaros Cathedral in Trondheim. Under the high roofs the centuries have written their autographs. Pictures of gods and devil´s masks fight ruthlessly about the hegemony in the human soul. The dramaturgy of the Middle Age comes alive in the life- or death battle that unfolds before our eyes on the church walls.
If you lift your eyes even further, towards the roof-truss, you can see the last millennium face to face. Nowhere else in the country you will have such an opportunity to admire the art of carpentry as it was displayed nearly 900 years ago. This is one of the reasons why the Church of Værnes is a familiar name in antiquarian circles on the whole continent. The wooden ceiling is the original from the 12th century, and the only one still in existence. It has a span of more than 11 meters and has been the inspiration for reconstructions of roofs in other medieval buildings in Norway (the Nidaros Cathedral in Trondheim and Håkonshallen in Bergen).
The Church of Værnes is a cultural treasure, perhaps because the majestic church building gives us a close contact with the mysticism and sentiment of the past. Many people come here to contemplate about the mysteries of life - great and small. The thoughts wander among the beams under the roof, casting curious glances at the 'Værnes Chair', made in 1685 as the private pew for the squire of Værnes (General Schultz and his wife). This chair shows us a mastery in wood carving that amazes everyone with its perfectionism and richness in details. Fine wall paintings, stone figures and runic inscriptions are also found in the church.References:
Glimmingehus is the best preserved medieval stronghold in Scandinavia. It was built 1499-1506, during an era when Scania formed a vital part of Denmark, and contains many defensive arrangements of the era, such as parapets, false doors and dead-end corridors, 'murder-holes' for pouring boiling pitch over the attackers, moats, drawbridges and various other forms of death traps to surprise trespassers and protect the nobles against peasant uprisings. The lower part of the castle's stone walls are 2.4 meters (94 inches) thick and the upper part 1.8 meters (71 inches).
Construction was started in 1499 by the Danish knight Jens Holgersen Ulfstand and stone-cutter-mason and architect Adam van Düren, a North German master who also worked on Lund Cathedral. Construction was completed in 1506.
Ulfstand was a councillor, nobleman and admiral serving under John I of Denmark and many objects have been uncovered during archeological excavations that demonstrate the extravagant lifestyle of the knight's family at Glimmingehus up until Ulfstand's death in 1523. Some of the most expensive objects for sale in Europe during this period, such as Venetian glass, painted glass from the Rhine district and Spanish ceramics have been found here. Evidence of the family's wealth can also be seen inside the stone fortress, where everyday comforts for the knight's family included hot air channels in the walls and bench seats in the window recesses. Although considered comfortable for its period, it has also been argued that Glimmingehus was an expression of "Knighthood nostalgia" and not considered opulent or progressive enough even to the knight's contemporaries and especially not to later generations of the Scanian nobility. Glimmingehus is thought to have served as a residential castle for only a few generations before being transformed into a storage facility for grain.
An order from Charles XI to the administrators of the Swedish dominion of Scania in 1676 to demolish the castle, in order to ensure that it would not fall into the hands of the Danish king during the Scanian War, could not be executed. A first attempt, in which 20 Scanian farmers were ordered to assist, proved unsuccessful. An additional force of 130 men were sent to Glimmingehus to execute the order in a second attempt. However, before they could carry out the order, a Danish-Dutch naval division arrived in Ystad, and the Swedes had to abandon the demolition attempts. Throughout the 18th century the castle was used as deposit for agricultural produce and in 1924 it was donated to the Swedish state. Today it is administered by the Swedish National Heritage Board.
On site there is a museum, medieval kitchen, shop and restaurant and coffee house. During summer time there are several guided tours daily. In local folklore, the castle is described as haunted by multiple ghosts and the tradition of storytelling inspired by the castle is continued in the summer events at the castle called "Strange stories and terrifying tales".