Utstein Abbey is Norway's best-preserved medieval monastery. The abbey, dedicated to Saint Laurence, was founded in its present location during the reign of King Magnus VI of Norway (1263–1280). It was a house of Augustinian Canons. It appears however that this community was the one previously established as St. Olav's Abbey, Stavanger, one of the earliest Augustinian monasteries in Norway if not the very earliest: the exact date of its foundation is unknown, but it was well established by 1160.
At its height, about 20–30 monks lived there, with twice as many lay people working on the building, the cooking and the farming. The abbey owned extensive lands, and could feed about 250 people a year. It was dissolved in 1537 during the Reformation and was given in fee to Trond Ivarsson, a nobleman who served as local bailiff. It served as a private residence for many years. The property came under the control of the Garmann (1706) and Schancke (1885) families. In 1899 the estate was acquired by the state.
Utstein Abbey is the best-preserved monastery in the whole of Norway, still using both the church and the eastern and southern part of the ground floor of the conventual buildings. In 1900-1904 major restoration work was carried out on the church, and in 1965 work on the remaining buildings was completed. The monastery was restored under plans designed by architect Gerhard Fischer. Church west window were reconstructed, the ceiling was rebuilt with the original angle and all interiors have been restored and put in a position so that the buildings now serve as venue for concerts, seminars, conventions, etc. It is now owned entirely by the Utstein Kloster Foundation. The abbey can be reached from Stavanger in 30 minutes by road through the Rennfast undersea tunnel.
The Utstein Abbey is also well known for its role in hosting conferences for development of reporting guidelines in emergency medicine, resuscitation, and traumatology. The first Utstein conference was held at the Utstein Abbey in 1990 and resulted in the publication of guidelines for uniform reporting of data from out-of-hospital cardiac arrest, the Utstein Style.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.