Möhkö Ironworks was built in the middle of wilderness in the eastern part of Ilomantsi, by Möhkönkoski rapids of Koitajoki river. Ilomantsi born Carl G. Nygren was granted to build the ironworks in 1838. After him the factory was built by Adolf von Rauch from St. Petersburg between 1847 and 1849. Industrialist Nils Ludvig Arppe modernised the ironworks.
The conditions for the foundation of ironworks were lake ore lifted from the bottom of approximately a hundred lakes, cheap charcoal, water routes for transport and hydro power of the Möhkönkoski rapids. Möhkö was the one of the largest ironworks in Finland and it employed 2000 people. Thanks to the ironworks, Möhkö grew into a village of 600 people. The factory maintained a shop, a school, a library and a reading room.
The ironworks was closed down in 1908 because of distant location and the falling of the rocky ore prices. W. Gutzeit & Co. bought the factory and the forests. After the ironworks had been shut down, lumbering and log floating work provided a living for the people of Möhkö and Ilomantsi.
The Second World War destroyed Möhkö badly. It took away approximately a third of the territory of Ilomantsi. The automatisation of lumbering and migration to towns quitened Möhkö in the 1960’s and 1970’s.
Today Möhkö ironworks area functions as the factory museum. The ruins of blast furnace, massive waterwheel and unique, restored channels tell the stories of Möhkö ironworks. Pytinki Museum Shop serves customers. Several events are held in the area in summer season.
Reference: Möhkö Ironworks Museum
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.