Industrial sites in Finland
Finlayson
Finlayson ironworks and metallurgy factory was established in 1820 by the Scottish industrialist James Finlayson when he was noticed the energy potential of the free rapids in Tampere. Machine business was not very profitable and Finlayson started to manufacture and weave cotton yarn and textiles. James Finlayson sold the factory to Carl Samuel Nottbeck and Georg Rauch already in 1836. Oldest still existing building, "Kuu ...Fiskars
Fiskars is the best known of a number of ironworks villages that were established in the early 17th century to the Pohja area. A crushing mill was established by the lower rapids in 1649, with a blastfurnace on the opposite bank. The founder of Fiskars ironworks was the Dutch businessman Peter Thorwöste, who was allowed by Queen Christina of Sweden to manufacture cast iron and forged products, with the exception of c ...Verla
Verla is a well-preserved 19th century mill village and a UNESCO World Heritage Site since 1996. The first groundwood mill at Verla was founded in 1872 by Hugo Nauman but was destroyed by fire in 1876. A larger groundwood and board mill, founded in 1882 by Gottlieb Kreidl and Louis Haenel, continued to operate until 1964.The Verla groundwood and board mill and its associated habitation are an outstanding and remarkably we ...Strömfors Ironworks
Strömfors Ironworks is one of the oldest in Finland. It was founded in 1695 by Johan Creuz. The ironworks was renamed to Strömfors in 1744, when A. Nohrström and J. Forsell acquired the site and business. They also expanded Strömfors by building a new forge and sawmill.In 1790, the iron works got a new manager, the 31-year-old Virginia af Forselles, who managed Strömfors Iron Works for almost 60 years. A large part o ...Kellokoski Ironworks
Kellokoski ironworks was founded in 1795 and it manufactured all kind of agriculture tools until 1963. The wooden church was built in 1800. The nearby Kellokoski manor is functioned as a mental hospital since 1915.Today Kellokoski is a well-preserved milieu representing habitation and industry of the 19th century. The hospital museum, handicraft shops, restaurant and arboretum are located to the old ironworks buildings.Fagervik
Fagervik ironworks, one of the oldest in Finland, was founded in 1646. The ironworks consisted of two iron forges and one blast furnace. The remarkable rococo-style manor was built in 1773 by Johan Hisinger. It’s located near the "King’s Way", a road from Turku to Vyborg. Both Gustav III (the king of Sweden) and Alexander I (the tzar of Russia) have stood overnight in Fagervik. The large baroque-style park with the Ch ...Billnäs
Billnäs ironworks was founded in 1641 by Carl Billsten. It faced many difficulties during 17th and 18th century. Local peasants destroyed the ironworks already in 1659 because of too heavy taxation. During the Great Wrath Russians occupied and destroyed it again in the 18th century.Billnäs Ironworks moved to Hisinger family's possession in 1723. Bar hammer workshops with forges and waterwheels, and coal rooms were built ...Mathildedal Ironworks
Mathildedal is one of the three Teijo area ironworks villages. It offers all the elements of an idyllic environment: Wooden houses painted with traditional red paint, buildings of the ironwork, history, culture, nature and of course the living village itself. The origins of Mathildedal ironworks go back to 1686. Mr Lorenz Creutz from Teijo was granted a right to build a forgery in Hummeldal. In 1825 Mr Robert Bremer dis ...Nuutajärvi Glass Factory
The oldest factory of Nuutajärvi Glass was founded in 1793, and it is the oldest glass factory in Finland that is still in function. It was founded by the local manor owners, Jakob Wilhelm de Pont and Harald Furuhjelm who were granted to manufacture window glass and other glass products.Johan Agapetus Törngren bought the manor and glass factory in 1843. His son Adolf Törngren extended Nuutajärvi produc ...Teijo Ironworks
Teijo ironworks was established in 1686 to the lands of old Teijo manor by Lorentz Creutz. The industrial work ended in 1908, but today there still exists old buildings, restaurant and fascinating manor building and park. The manor is privately owned, but you can walk the road adjacent to it. Teijo church on the hill near the manor is the smallest stone church in Finland. It was built in 1830.Juankoski Iron Foundry
In 1746 Brynolf Brunou was granted to establish an ironworks to the Juankoski rapids. Juankoski was in the periphery of Sweden borderlands with no roads or cities. Water routes were the only way to transport goods. Juankoski became the only ironworks in Finland which used only the bog iron to manufacture different kind of tools.The heyday of Juankoski was between 1851 and 1900 when it was owned by Anastasia Ponomareva, a ...Kimo Ironworks
The ironworks in Kimo was founded by Petter Heijke in 1703. Petter Heijke chose the place because there was an enough deep harbour in Oravainen, waterpower and wood for making charcoal. The ore was brought from Utö in the southern Baltic sea and from Herräng mines in Roslagen. In Kimo it was forged into iron-pigs. The iron-pigs were then tranported further up the river to the forges in Kimo where it was refined ...Leineperi Ironworks
The history of Leineperi (Fredriksfors in Swedish) village dates back to the 1630s. The ironworks was founded in 1771 by Berndt Johan Hastfehr. Until the end of 19th century ironworks manufactured all kinds of iron tools like nails, bolts and spades. The ironworks expanded little by little and in the the 19th century Leineperi was one of the largest iron manufacturers in Finland. The ironworks area consisted several manuf ...Antskog
Antskog ironworks, one of the oldest industrial sites in Finland, was established in 1640. The heyday of Antskog was in the 17th century, when Pohja town became a center of iron manufacturing in Finland. Industrial buildings were mainly destroyed in the Greater Wrath (1714-1721) and it caused the financial downturn. The ironworks went bankrupt couple of times. The next upswing was in the 1860s, when Antskog started to pro ...Kauttua Ironworks
The iron manufacturing in Kauttua started in 1689, when nobleman Lorentz Creutz was granted to establish an ironworks to Kauttua rapids. The ironworks business created an historically valuable industrial village milieu, which is called today as “Kauttua Ruukinpuisto”. In 1907 the ironworks was acquired by Ahlström Oy and it was changed to manufacture paper.Most of village buildings are from the 19th centu ...Möhkö Ironworks Museum
Möhkö Ironworks was built in the middle of wilderness in the eastern part of Ilomantsi, by Möhkönkoski rapids of Koitajoki river. Ilomantsi born Carl G. Nygren was granted to build the ironworks in 1838. After him the factory was built by Adolf von Rauch from St. Petersburg between 1847 and 1849. Industrialist Nils Ludvig Arppe modernised the ironworks.The conditions for the foundation of ironworks wer ...Jyrkkäkoski Ironworks
In 1831 Mr. Franzen, the owner of the Salahmi Ironworks was given permission to establish a blast furnace and a bar-iron forge at Jyrkkäkoski. The early years were difficult, because Jyrkkäkoski was not at any close distance of main travel routes and sufficient labour was not available. In 1856, the ironworks was obtained by Paul Wahl & Co. as part of a larger consortium. A new Scottish-type blast furnace of ...Featured Historic Landmarks, Sites & Buildings
Historic Site of the week
Quimper Cathedral
From 1239, Raynaud, the Bishop of Quimper, decided on the building of a new chancel destined to replace that of the Romanesque era. He therefore started, in the far west, the construction of a great Gothic cathedral which would inspire cathedral reconstructions in the Ile de France and would in turn become a place of experimentation from where would later appear ideas adopted by the whole of lower Brittany. The date of 1239 marks the Bishop’s decision and does not imply an immediate start to construction. Observation of the pillar profiles, their bases, the canopies, the fitting of the ribbed vaults of the ambulatory or the alignment of the bays leads us to believe, however, that the construction was spread out over time.
The four circular pillars mark the start of the building site, but the four following adopt a lozenge-shaped layout which could indicate a change of project manager. The clumsiness of the vaulted archways of the north ambulatory, the start of the ribbed vaults at the height of the south ambulatory or the choice of the vaults descending in spoke-form from the semi-circle which allows the connection of the axis chapel to the choir – despite the manifest problems of alignment – conveys the hesitancy and diverse influences in the first phase of works which spread out until the start of the 14th century.
At the same time as this facade was built (to which were added the north and south gates) the building of the nave started in the east and would finish by 1460. The nave is made up of six bays with one at the level of the facade towers and flanked by double aisles – one wide and one narrow (split into side chapels) – in an extension of the choir arrangements.
The choir presents four right-hand bays with ambulatory and side chapels. It is extended towards the east of 3-sided chevet which opens onto a semi-circle composed of five chapels and an apsidal chapel of two bays and a flat chevet consecrated to Our Lady.
The three-level elevation with arches, triforium and galleries seems more uniform and expresses anglo-Norman influence in the thickness of the walls (Norman passageway at the gallery level) or the decorative style (heavy mouldings, decorative frieze under the triforium). This building site would have to have been overseen in one shot. Undoubtedly interrupted by the war of Succession (1341-1364) it draws to a close with the building of the lierne vaults (1410) and the fitting of stained-glass windows. Bishop Bertrand de Rosmadec and Duke Jean V, whose coat of arms would decorate these vaults, finished the chancel before starting on the building of the facade and the nave.
Isolated from its environment in the 19th century, the cathedral was – on the contrary – originally very linked to its surroundings. Its site and the orientation of the facade determined traffic flow in the town. Its positioning close to the south walls resulted in particuliarities such as the transfer of the side gates on to the north and south facades of the towers: the southern portal of Saint Catherine served the bishop’s gate and the hospital located on the left bank (the current Préfecture) and the north gate was the baptismal porch – a true parish porch with its benches and alcoves for the Apostles’ statues turned towards the town, completed by an ossuary (1514).
The west porch finds its natural place between the two towers. The entire aesthetic of these three gates springs from the Flamboyant era: trefoil, curly kale, finials, large gables which cut into the mouldings and balustrades. Pinnacles and recesses embellish the buttresses whilst an entire bestiary appears: monsters, dogs, mysterious figures, gargoyles, and with them a whole imaginary world promoting a religious and political programme. Even though most of the saints statues have disappeared an armorial survives which makes the doors of the cathedral one of the most beautiful heraldic pages imaginable: ducal ermine, the Montfort lion, Duchess Jeanne of France’s coat of arms side by side with the arms of the Cornouaille barons with their helmets and crests. One can imagine the impact of this sculpted decor with the colour and gilding which originally completed it.
At the start of the 16th century the construction of the spires was being prepared when building was interrupted, undoubtedly for financial reasons. Small conical roofs were therefore placed on top of the towers. The following centuries were essentially devoted to putting furnishings in place (funeral monuments, altars, statues, organs, pulpit). Note the fire which destroyed the spire of the transept cross in 1620 as well as the ransacking of the cathedral in 1793 when nearly all the furnishings disappeared in a « bonfire of the saints ».
The 19th century would therefore inherit an almost finished but mutilated building and would devote itself to its renovation according to the tastes and theories of the day.