Ruzhany Palace is a ruined palace which was between the 16th and 19th centuries the main seat of the senior line of the Sapieha noble family. Ruzhany began its life in the late 16th century as the site of Lew Sapieha's castle, the palace being completed in 1602. The Sapieha residence was destroyed in the course of the internecine strife in the Grand Duchy of Lithuania when it was attacked by Michał Serwacy Wiśniowiecki's forces in 1700.
Ruzhany Palace was rebuilt as a grand Neoclassical residence in the 1770s by Aleksander Michał Sapieha, employing the services of the architect Jan Samuel Becker of Saxony, who set the palace in an English park landscape. Aside from the palace, there was a theatre (1784–88), an orangery and several other outbuildings. Becker also designed the local church (rebuilt in the 1850s).
By the time of King Stanisław II's visit in 1784, work on the palace had been suspended. The Sapieha estates were nationalised in the aftermath of the November Uprising (1831). Three years later, the palace compound was sold to be used as a textile mill and weaving factory.
In 1914 the palace was accidentally set on fire by factory workers. The First World War and subsequent financial hardships prevented the building's restoration until 1930, however the partially restored palace became a ruin again within fifteen years, a casualty of the Second World War. The ornate palace gate survives and has recently been restored.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.