The Muskau or Muskauer Park is the largest and one of the most famous English gardens of Germany and Poland. Situated in the historic Upper Lusatia region, it covers 3.5 square kilometers of land in Poland and 2.1 km2 in Germany. The park extends on both sides of the Lusatian Neisse, which constitutes the border between the countries.
A fortress on the Neisse at Muskau was first mentioned as early as the 13th century under the rule of Margrave Henry III of Meissen. The founder of the adjacent park was Prince Hermann von Pückler-Muskau (1785-1871), the author of the influential Hints on Landscape Gardening and owner of the state country of Muskau from 1811. After prolonged studies in England, in 1815 during the time when the northeastern part of Upper Lusatia fell to Prussia, he laid out the Park. As time went by, he established an international school of landscape management in Bad Muskau and outlined the construction of an extensive landscape park.
The works involved remodelling the Baroque 'Old Castle' - actually a former castle gate - and the construction of a Gothic Revival chapel, an English cottage, several bridges, and an orangery designed by Friedrich Ludwig Persius. Pückler reconstructed the medieval fortress as the 'New Castle', the compositional centre of the park, with a network of paths radiating from it and a pleasure ground influenced by the ideas of Humphry Repton, whose son John Adey worked at Muskau from 1822 on. The extensions went on until 1845, when Pückler because of his enormous debts was constrained to sell the patrimony. The next year it was acquired by Prince Frederick of the Netherlands, who employed Eduard Petzold, Pückler's disciple and a well-known landscape gardener, to complete his design. Upon his death in 1881, he was succeeded by his daughter Princess Marie, who sold the estates to the Arnim family.
During the Battle of Berlin, both castles were levelled and all four bridges across the Neisse were razed. The von Arnims were dispossessed by the Soviet Military Administration in Germany and since the implementation of the Oder-Neisse line in 1945, the park has been divided by the state border between Poland and Germany, with two thirds of it on the Polish side. Not until the 1960s did the authorities gradually accept the legacy of the 'Junker' Prince Pückler.
In 2004 UNESCO added the park to its World Heritage List, as an exemplary example of cross-border cultural collaboration between Poland and Germany. It was added to the list on two criteria: for breaking new ground in terms of development towards the ideal man-made landscape, and for its influence on the development of landscape architecture as a discipline.References:
The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.
The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.
Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.
In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.
The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.
In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.
After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.
In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.
Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.
In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.
In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.