St. Peter's Cathedral is an interdenominational church in Bautzen. It is among the oldest and largest simultaneum churches in Germany. The first church was built around the 1000 AD. Near the beginning of the 13th century, a cathedral was built under the supervision of Bishop Bruno II.
Between 1456 and 1463, the cathedral that now stands was constructed and named after St. Peter. A fourth nave was added to the original structure. A fire decimated much of the city and church in 1634, and the church required a new vault and significant restoration work. The entire interior of the church, with the exception of the original Gothic-style which can still be seen today.
The church is a mixture of several different architectural styles, the most prominent being Gothic and Baroque. The early church was entirely a Gothic structure, but it has since been heavily modified. Today, only parts of the interior are Gothic in nature. The Baroque dome was added to the tower in 1664.
Today, Catholic and Lutheran altars are located on separate sides of the sanctuary. The Catholic high-altar was built in 1723. It was designed by a student of Balthasar Permoser, the same man that designed the Zwinger in Dresden. The altar murals were painted by the Venetian painter Pellegrini.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.