Ammersoyen castle was originally built in 1350 by Dirk van Herlaer along the river Maas. Ammersoyen was a unique castle as it was built using a fixed plan, which was unlike other castles built during this era. The design included four wings that were constructed around a center court. Each corner had its own heavy tower for extra protection. The castle included a gatehouse and was originally surrounded by a moat. At the time, it was one of the finest defensive structures in the country.
In 1386, the castle was lost to Duke of Gelderland who gave the castle to his illegitimate son. He then sold the castle in 1424 to Johan van Broekhugen, Lord of Waarenburg. For the next four hundred years, the castle only exchanged hands through inheritance.
Throughout history the castle was besieged several times with 1513 and 1574 being some of the more notable events. The castle suffered the most damage in 1590 when the castle owner Joris van Arkel was killed from his injuries. After his death, the castle fell into ruin until the 17th century when the Van Arkel family finally raised enough money to restore the castle. Thomas van Arkel paid the French 7,000 guilders to save the castle in 1672 when France swept through Holland and burned many castles along the way. The castle may have survived, but Thomas remained in debt and was never able to finish the castle renovations. After his death, the castle was inherited by another family.
The castle was then sold to the Roman Catholic Church in 1876 and was used as a convent. During World War II, the castle was used as shelter for village residents. Once the war was over, the castle was used as a village hall until it was purchased by the Gelderland Castle Trust in the late 1950s. It has since been restored to its former medieval glory.References:
The Cloth Hall in Kraków dates to the Renaissance and is one of the city's most recognizable icons. It is the central feature of the main market square in the Kraków Old Town (listed as a UNESCO World Heritage Site since 1978).
The hall was once a major centre of international trade. Traveling merchants met there to discuss business and to barter. During its golden age in the 15th century, the hall was the source of a variety of exotic imports from the east – spices, silk, leather and wax – while Kraków itself exported textiles, lead, and salt from the Wieliczka Salt Mine.
Kraków was Poland's capital city and was among the largest cities in Europe already from before the time of the Renaissance. However, its decline started with the move of the capital to Warsaw in the very end of the 16th century. The city's decline was hastened by wars and politics leading to the Partitions of Poland at the end of the 18th century. By the time of the architectural restoration proposed for the cloth hall in 1870 under Austrian rule, much of the historic city center was decrepit. A change in political and economic fortunes for the Kingdom of Galicia and Lodomeria ushered in a revival due to newly established Legislative Assembly or Sejm of the Land. The successful renovation of the Cloth Hall, based on design by Tomasz Pryliński and supervised by Mayor Mikołaj Zyblikiewicz, Sejm Marshal, was one of the most notable achievements of this period.
The hall has hosted many distinguished guests over the centuries and is still used to entertain monarchs and dignitaries, such as Charles, Prince of Wales and Emperor Akihito of Japan, who was welcomed here in 2002. In the past, balls were held here, most notably after Prince Józef Poniatowski had briefly liberated the city from the Austrians in 1809. Aside from its history and cultural value, the hall still is still used as a center of commerce.
On the upper floor of the hall is the Sukiennice Museum division of the National Museum, Kraków. It holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand exhibition halls arranged by historical period and the theme extending into an entire artistic epoch. The museum was upgraded in 2010 with new technical equipment, storerooms, service spaces as well as improved thematic layout for the display.
The Gallery of 19th-Century Polish Art was a major cultural venue from the moment it opened on October 7, 1879. It features late Baroque, Rococo, and Classicist 18th-century portraits and battle scenes by Polish and foreign pre-Romantics.