The Grote Kerk (Church of Our Lady) is the most important monument and a landmark of Breda. The first notice of a stone church in Breda is from 1269. In 1410, the construction of the church started with the choir. In 1468, the church was ready but in 1457 the old tower collapsed and between 1468 and 1509 the current tower was built. They continued building until 1547 when the church was finished in its current shape.
In 1566, the Reformation took place and the church was no longer Catholic. In 1637, the church became Protestant. The tower spire burned in 1694 and the current spire was built in 1702. From 1843 onwards many restorations took place, the last big restoration took place from 1993 until 1998.
The organ in the Grote Kerk of Breda is one of the largest organs in the Netherlands and its history goes back to the 16th century. At that time, the organ only possessed 16 stops. After being displaced several times, the organ arrived at its present location in the church in 1712. After restoration of the church between 1904 and 1956, a new organ was ordered from D.A. Flentrop in Zaandam.
The Prinsenkapel (Prince chapel) north of the choir is the old mausoleum of the House of Orange-Nassau, ancestors of the Dutch Royal Family. The chapel was built from 1520 until 1525 on orders of the Lord of Breda, Henry III of Nassau-Breda. Seventeen family members are buried in the chapel.
When William of Orange died the plan was to bury him also in the chapel, but Breda was at that time occupied by the Spanish. William of Orange and most of his descendants were buried in the mausoleum in the New Church in Delft.
A special part of the chapel are the vault paintings from 1533. The frescos are made by the Italian painter Tommaso di Andrea Vincidor (a student of Raphael).References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.