Loevestein Castle (Slot Loevestein in Dutch) is a medieval castle built by the knight Dirc Loef van Horne (hence 'Loef's stein') between 1357 and 1397. It was built in a strategic location where the Maas and Waal rivers come together. At first it was a simple square brick building, used to charge toll from trading vessels using the rivers. In the 16th century (around 1575, orders given by William the Silent) it was expanded to a larger fortress surrounded by earthen fortifications with two (later three) stone bastions on the northern side, two moats, an arsenal, and housing for a commander and soldiers.
Loevestein changed hands twice between the Northern Dutch and the Spanish (December 9, 1570 it was taken by the Geuzen, ten days later Spanish again, and from June 25, 1572 Dutch till this day), the warring parties of the day. The castle became a prison for political prisoners in 1619. One famous inmate was the eminent lawyer, poet and politician Hugo de Groot (Hugo Grotius) often presented as the 'father of modern international law', who was serving a controversially imposed life sentence from 1619. In 1621 Hugo de Groot managed to pull off a daring escape in a book chest. The idea for this escape came from his wife Maria van Reigersberg (also living in the castle). He subsequently became the Swedish Ambassador to France for 10 years. Another high profile inmate was the English Vice-Admiral George Ayscue.
Until the Second World War Loevestein Castle was part of the Nieuwe Hollandse Waterlinie, the main Dutch defense line that was based on flooding an area of land south and east of the western provinces. Currently the castle is used as a medieval museum and function centre.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.