Mersch Castle is one of the castles belonging to the so-called Valley of the Seven Castles. The castle was built in the 13th century by Theodoric, a knight in the service of Countess Ermesinde of Luxembourg. It was captured and burnt down by the Burgundians. In 1574, Paul von der Veltz transformed the building into a comfortable castle in the Renaissance style. The keep had large windows and the property was surrounded by a protective wall with seven towers. Finely vaulted ceilings were erected over the rooms on the ground floor and the first floor. The Knights' Hall on the second floor has a magnificent chimney. The arms of 16 noblemen decorated the walls. In 1603, the castle was again destroyed by the Dutch. In 1635, during the Thirty Years' War, the castle and the village were left in a sorry state. However, around 1700, it was once again repaired, this time by Johann-Friedrich von Elter who rebuilt the gate and appended his coat of arms. The chapel was restored in 1717 by von Elter. The altar bears the arms of the castle's heiress, Charlotte von Elter.
In 1898, the Sonnenberg-Reinach family sold the castle to a businessman called Schwartz-Hallinger. In 1930, restoration work was carried out by the owner M. Uhres. In 1938, a youth hostel was housed in a new building adjacent to the castle. From 1957, the commune acquired the building but sold it to the State of Luxembourg in 1960. As a result of an exchange agreement, the commune finally regained ownership in 1988 and undertook substantial renovation work for the needs of itse administrative services which now occupy the building.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.