Rating
4.7/5 (based on Google user reviews)
User Reviews
Bombey Dirk (5 years ago)
Corentin Grandjean (7 years ago)
Correct
Correct
Marcella Homan (9 years ago)
Gundel Gaukeley (9 years ago)
Fabio Mendes (9 years ago)
Colpach Castle was originally a small medieval stronghold surrounded by a moat, similar to the castles at Ell and Everlange. The earliest reference dates from 1303. From 1628, it belonged to the Pforzheims who filled in the moat and converted it into a modest manor house around 1747 (the date on the entrance gate). In the 19th century, it was administered as a farming centre by Baron Edouard de Marches who lived in Guirsch Castle near Arlon. In about 1870, he laid out the gardens surrounding the castle. The lake with an island, the curved pathways, the ornamental bushes and trees can still be seen today. In 1874, his widow née Cécile Papier married the famous Hungarian painter Michael Munkácsy. They spent their summers in Colpach Castle and the winters in Paris. In 1886, Franz Liszt visited the couple in Colpach shortly before his death. After 1900, the castle was increasingly deserted by Munkácsy's widow who died in 1915.
Émile Mayrisch, head of ARBED, bought the castle and surrounding area on 27 January 1917. From 1917 to 1920, he had the castle enlarged and modified by the architect Sosthène Weis, lending it a simple but elegant style.
Together with his wife Aline, Mayrisch made the castle a centre of attraction for noteworthy politicians, economists, writers and artists between the two world wars. Guests included Walther Rathenau, André Gide, Jacques Rivière, Otto Bartning and Théo van Rysselberghe.
In 1947, Aline Mayrisch bequeathed the castle to the Red Cross for use as a convalescent home. The facilities have been constantly improved over the years. The park is open to visitors all the year round. It is particularly suitable for handicapped visitors.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.