The Abbey of Echternach is a Benedictine monastery founded by St Willibrord, the patron saint of Luxembourg, in the 7th century. Lying on the River Sauer, Echternach had been the site of a 1st-century Roman villa. By the 6th century, the estate at Echternach had passed into the hands of the see of Trier, which had constructed a small monastery on the estate. In 698, Irmina of Oeren granted the Northumbrian missionary Willibrord, Bishop of Utrecht, land at Echternach to build a larger monastery, appointing Willibrord as abbot. In part, the choice was due to Willibrord's reputation as a talented proselytiser (he is known as the Apostle to the Frisians), and, in part, due to the danger posed to his see of Utrecht by pagan Frisian raiders. Echternach would be the first Anglo-Saxon monastery in continental Europe.
Willibrord opened the first church at Echternach in 700 with financial backing from Pepin of Herstal. Continuing this connection, Pepin's son, Charles Martel, founder of the Carolingian dynasty, had his son Pepin the Short baptised at Echternach in 714. In addition to Carolingian support, Willibrord's abbey at Echternach had the backing of Wilfrid, with whom he had served at Ripon. Furthermore, Willibrord successfully overcame the stridently anti-Irish bias of Wilfrid, and secured the backing of many Irish monks, who would become the backbone for the first settlement at Echternach.
Willibrord spent much time at Echternach, especially after the sacking of Utrecht in 716, and died there in 739. Willibrord was interred in the oratory, which soon became a place of pilgrimage, particularly after he was canonised. In 751, Pepin raised the Abbey of Echternach to status of 'royal abbey', and granted it immunity. Around the walls of the abbey, a town grew up that would soon become one of the largest and most prosperous in Luxembourg.
Beornrad, the third abbot of Echternach, was a great favourite of Charlemagne, and was promoted to Archbishop of Sens in 785. When Beornrad died, in 797, Charlemagne took direct control of the abbey for a year.
The work of the monks at the abbey was heavily influenced by Willibrord's roots in Northumbria and Ireland, where a great emphasis was put on codices, and Echternach developed one of the most important scriptoria in the Frankish Empire.
Manuscripts produced at Echternach are known to have been in both insular and Roman half uncial script. As Echternach was so prolific, and enjoyed the patronage of, and aggrandisement by, Pepin the Short and Charlemagne, it played a crucial role in the development of the early Carolingian Renaissance. Seeing the work of the abbey at Echternach at taming the native German script, and eager to further the reform, Charlemagne sent for Alcuin, to establish a scriptorium at the court in Aachen. Alcuin synthesised the two styles into the standard Carolingian minuscule, which predominated for the next four centuries.
The early 9th century was the heyday of the abbey, as it enjoyed power, both spiritual and temporal. However, this was all guaranteed only by the Carolingians. When the authority of the centralised Frankish state collapsed during the civil wars under Louis the Pious, so too did the power of the abbey. In 847, the Benedictine monks were ejected and replaced by lay-abbots.
The fortunes of the abbey continued to vary with the fortunes of the Holy Roman Empire. When Otto the Great reunited the Empire, he sought to rejuvenate the intellectual and religious life of his dominions, including Echternach. In 971, he restored the Benedictines to Echternach with forty monks of that order from Trier. The abbey entered a second Golden Age, as it once again became one of northern Europe's most influential abbeys. The Codex Aureus of Echternach, an important surviving codex written entirely in gold ink was produced here in the 11th century.
There have been six churches built on the site at Echternach. The current modern basilica dates from the 1862, although it was reconstructed in 1944 and 1953.
Despite the long history of the abbey and the city, Echternach is best known today for its traditional dancing procession, held around the town of Echternach. It is held every Whit Tuesday in honour of Saint Willibrord, and is the last such traditional dancing procession in Europe. The event draws to Echternach tens of thousands of visitors a year, be they pilgrims or tourists, who either participate or observe the quaint and distinctive procession.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.