Useldange Castle stands on a small hill in the centre of the village overlooking the River Attert. The ruins present a reasonable picture of the medieval castle, especially the outer wall and one of the round towers. A bridge over the former moat, 10 metres wide, provides access to the castle. The keep, 25 metres tall, stands at the centre of the site.
The castle appears to date from the 12th century when the lordship of Useldange was created. One of the early lords was Théobald d'Useldange. After the dynasty died out in the middle of the 13th century, Jean de Rodemacher became the legitimate proprietor in 1415 by marriage with Irmgard de Boulay. In 1479, Maximilian I confiscated the property and charged Christopher of Baden with its upkeep. As a result of the war between France and Burgundy, the castle and its chapel were seriously damaged. William of Nassau-Vianden, who inherited the castle, sold it to François-Sébastien Bauer of Everlange in 1674. The castle fell increasingly into disrepair and the chapel was desroyed in 1903.
In 1924, American immigrant Mrs Kuhn-Wolff, originally from Useldange, returned to buy the ruined castle. After consolidating the walls in 1934, the family went on to build a modern property over the ruins of the castle's palace. It has now become the town hall. The castle is being restored by the State of Luxembourg.
The castle is open to visitors throughout the year. Special arrangements have been made to allow handicapped and weakly sighted visitors to experience the site.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.