Useldange Castle stands on a small hill in the centre of the village overlooking the River Attert. The ruins present a reasonable picture of the medieval castle, especially the outer wall and one of the round towers. A bridge over the former moat, 10 metres wide, provides access to the castle. The keep, 25 metres tall, stands at the centre of the site.
The castle appears to date from the 12th century when the lordship of Useldange was created. One of the early lords was Théobald d'Useldange. After the dynasty died out in the middle of the 13th century, Jean de Rodemacher became the legitimate proprietor in 1415 by marriage with Irmgard de Boulay. In 1479, Maximilian I confiscated the property and charged Christopher of Baden with its upkeep. As a result of the war between France and Burgundy, the castle and its chapel were seriously damaged. William of Nassau-Vianden, who inherited the castle, sold it to François-Sébastien Bauer of Everlange in 1674. The castle fell increasingly into disrepair and the chapel was desroyed in 1903.
In 1924, American immigrant Mrs Kuhn-Wolff, originally from Useldange, returned to buy the ruined castle. After consolidating the walls in 1934, the family went on to build a modern property over the ruins of the castle's palace. It has now become the town hall. The castle is being restored by the State of Luxembourg.
The castle is open to visitors throughout the year. Special arrangements have been made to allow handicapped and weakly sighted visitors to experience the site.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.