Castle Hoensbroek or Gebrookhoes is one of the largest castles in the Netherlands. This imposing watercastle is known as 'the most lordly stronghold between Rhine and Meuse'. The oldest part of the castle, notably the tall round tower, dates from around 1360, when it was built by Herman Hoen, though a predecessor to the castle had already existed in the swamp (or Gebrook) the castle was located in. This so-called motte-and-bailey dated from around 1225. In 1250 a fortified manor was built on the location of the present castle. Because of its important strategical location in the Duchy of Brabant, located along important trading routes to Maastricht, Aachen and Cologne, the castle was expanded in several phases, becoming the largest stronghold between the Meuse and the Rhine rivers. It contains at least 67 halls, rooms and living quarters.
The castle was the ancestral home of the knights Hoen van den Broeck, the Imperial baron Hoen van Hoensbroeck, and the Imperial counts and viscounts Van en tot Hoensbroeck for nearly six centuries. The family Van Hoensbroeck left the castle at the end of the 18th century, after which the castle entered a period of decay. Count Frans Lothar sold the castle in 1927 to the present day owners, the foundation 'Ave Rex Christe'. It was thoroughly restored between 1930 and 1940. During and shortly after the second world war, the castle and accompanying buildings were used for diverse ends. From 1951 to 1973 the writer-poet Bertus Aafjes lived in parts of the castle. In the period 1986-1989 another restoration took place. Since then it has formed a popular and educative museum destination, funded by the municipality.
Over the centuries the castle has received extensive rebuilding and expansion three times. The different architectural styles from the different centuries (14th, 17th and 18th) are easy to separate from each other. The complex is surrounded by a moat and has four wings situated around a rectangular courtyard. The main building is reachable over a bridge. The main building has two identical square towers with union-tops, flanking the entrance, and two taller half-separate corner towers of irregular shape at the backside. The forecastles are both U-formed and enclose two large inner courts.
From 1720 to 1722, Frans Arnold, Imperial count van Hoensbroek, had substantial reworking done, including the building of a new north-western wing. The interior, with its illusionistic ceiling paintings from the 18th century, shows French influence. The son of Frans Arnold, Lotharius Frans, was the last lord of Hoensbroeck (1759–1794) who resided in the castle, until 1787, just before the French revolution.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.