The Cathedral of Aachen is one of the most famous examples of occidental architecture. It is the coronation church of more than 30 German kings, burial site of Charlemagne, major pilgrimage church and cathedral church of the Aachen diocese since 1930. In 1978 it was the first German building to be included in the UNESCO World Heritage list.
When the Emperor Charlemagne built his representative “Pfalz”, the Palace, before 800, he started to make his dream of Aachen as a “new Rome” come true. The centrepiece of the Palace complex is its church, which was designed as an octagon according to the example of Byzantine palace churches. The height of its interior of more than 31 meters is a unique architectural achievement. Until the High Romanic period nobody managed to exceed this bold construction.
The Palace Chapel became the burial place of Charlemagne. From 936 onwards the Chapel has been used as the coronation place for the German kings for the following 600 years.
In 1002 the Emperor Otto III was also buried in Charlemagne’s Chapel. Since the Gothic period every seven years large numbers of pilgrims have come to Aachen for the occasion of the “Heiligtumsfahrt” (Holy Pilgrimage), in order to pay reverence to the four sacred relics.
From 1355 to 1414 the Gothic Choir Hall was built and added to Charlemagne’s construction. It was also called the “Glass House” of Aachen because of its huge glass windows. The Glass House forms the luminous shell for Charlemagne’s Shrine. Charlemagne had been canonised and his mortal remains have been contained in the Shrine.
During the 15th century most of the chapels that surround the central building were built. The Western Tower was another addition that was built during the late 19th century. For the first time under Napoleon’s rule Aachen becomes an Episcopal town. In modern times it has its own bishop since 1930.
Because it is the location of Charlemagne’s grave, the coronation place of the German kings and the destination of the Holy Pilgrimage, the Aachener “Marienkirche” (St Mary’s Church) has been appreciated and revered for many centuries. This clearly shows when you look at the large number of exhibits. The Cathedral Treasury is a unique witness of the venerable history of Charlemagne’s Palace Chapel. As ecclesiastical treasure the Cathedral Treasure has no equal apart from the Italian relics.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.