The Cathedral of Aachen is one of the most famous examples of occidental architecture. It is the coronation church of more than 30 German kings, burial site of Charlemagne, major pilgrimage church and cathedral church of the Aachen diocese since 1930. In 1978 it was the first German building to be included in the UNESCO World Heritage list.
When the Emperor Charlemagne built his representative “Pfalz”, the Palace, before 800, he started to make his dream of Aachen as a “new Rome” come true. The centrepiece of the Palace complex is its church, which was designed as an octagon according to the example of Byzantine palace churches. The height of its interior of more than 31 meters is a unique architectural achievement. Until the High Romanic period nobody managed to exceed this bold construction.
The Palace Chapel became the burial place of Charlemagne. From 936 onwards the Chapel has been used as the coronation place for the German kings for the following 600 years.
In 1002 the Emperor Otto III was also buried in Charlemagne’s Chapel. Since the Gothic period every seven years large numbers of pilgrims have come to Aachen for the occasion of the “Heiligtumsfahrt” (Holy Pilgrimage), in order to pay reverence to the four sacred relics.
From 1355 to 1414 the Gothic Choir Hall was built and added to Charlemagne’s construction. It was also called the “Glass House” of Aachen because of its huge glass windows. The Glass House forms the luminous shell for Charlemagne’s Shrine. Charlemagne had been canonised and his mortal remains have been contained in the Shrine.
During the 15th century most of the chapels that surround the central building were built. The Western Tower was another addition that was built during the late 19th century. For the first time under Napoleon’s rule Aachen becomes an Episcopal town. In modern times it has its own bishop since 1930.
Because it is the location of Charlemagne’s grave, the coronation place of the German kings and the destination of the Holy Pilgrimage, the Aachener “Marienkirche” (St Mary’s Church) has been appreciated and revered for many centuries. This clearly shows when you look at the large number of exhibits. The Cathedral Treasury is a unique witness of the venerable history of Charlemagne’s Palace Chapel. As ecclesiastical treasure the Cathedral Treasure has no equal apart from the Italian relics.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.