The Grote Kerk of Harderwijk is a gothic cross-basilica, dating from the 14th and 15th century. Around 1435 work started on building a tower for the new church, which took five years to finish. In 1560 and 1561, when the roof was repaired, Ewolt van Delft painted the vaults. His paintings concern unique biblical tales. In 1578, Reformation took place in Harderwijk, and from that moment on the church has only been used for Protestant worship. During a thunderstorm on the 28th of January 1797, the east wall of the tower collapsed, together with half of the nave. Later the north and south wall followed, whereupon with a cannon shot the western wall was brought down. Only 2/5 of the old nave remained. It was enclosed with a new wall and a facade in a sober Louis XVI style.
In the period between 1967-1980, the church was restored thoroughly. During this restoration the unique ceiling paintings of Ewolt van Delft, hidden under layers whitewash, were revealed. In 1797, when the tower collapsed, the organ was buried under the debris. In 1824, an organ commission was formed and in 1825 the Bätz brothers from Utrecht were contracted to construct a new organ. On the 28th of January 1827, exactly 30 years after the collapse of the tower, the new organ was inaugurated. It had 23 stops, spread over two manuals and pedal. In 1891 the organ was restored and modifications took place.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.