Tingelstad Old Church is a Romanesque stone church in Gran. Dendrochronological dating shows that parts of the timber within the church were felled between 1219-1220. The original name for this church was 'St. Petri Church', although presently it is called Tingelstad old church (Tingelstad gamle kirke) as it was replaced by a new church in 1866.
The congregation also had a stave church (Grindaker stave church), but this was demolished in 1866, again because it was too small.
The spire on the wooden belfry bears a copy of a 12th-century weather vane. The original vane is held in the Museum of Cultural History in Oslo. It is believed that it was once fitted to the bow of a warship. Although the church contains a few other original, medieval features such as a wooden crucifix and a stone altar, it is best known for its intact interior from the 16th and 17th centuries. The pulpit is from 1579 and is one of Norway's oldest. An altar frontal from 1699 can also be found in the church. A unique mural from 1632 depicting the Dano-Norwegian coat of arms, has been partially revealed on the interior North wall.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.