The Wooden articular church in Kežmarok was built by the local Lutherans during a period of religious persecution, when they were allowed to erect only wooden churches. That is why even nails were made exclusively of wood. The construction was financially supported by Protestants from various countries, including Sweden and Denmark.
The only stone part of the church is its sacristy, originally built in 1593 as a pub outside the city walls. In the 17th century, the Roman Catholic dynasty of Habsburgs persecuted Protestantism in the Habsburg Monarchy, which included territory of present Slovakia at that time. The number of churches was limited to one in each free royal town, Kežmarok being one of them. The construction material had to be the cheapest possible (wood at that time) and a church had to be completed in 365 days. Furthermore, the site of a new Protestant church had to be chosen by a royal commission. In Kežmarok, a royal commission deliberately chose an ancient pub as a place of worship, in order to humiliate the local Protestant community. The pub was subsequently incorporated into a hastily constructed religious building as a sacristy.
The oldest parts are an epitaph from 1688 and a Renaissance baptistery from 1690. They are the only remaining parts of the first church. The second wooden church, erected in the Baroque style in 1717, completely replaced the first building. It has the shape of an equal-armed Greek cross. The space can accommodate 1,541 worshipers. According to a legend, circular windows were made by Swedish sailors contributing to the construction. The organ, completed in 1729, is known for its perfect sound despite having only wooden pipes.
The church is one of only five Lutheran wooden churches remaining in Slovakia. It is part of the UNESCO World Heritage Site of Wooden Churches of the Slovak part of the Carpathian Mountain Area.References:
Les Invalides is a complex of buildings containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building"s original purpose. The buildings house the Musée de l"Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d"Histoire Contemporaine, as well as the burial site for some of France"s war heroes, notably Napoleon Bonaparte.
Louis XIV initiated the project in 1670, as a home and hospital for aged and unwell soldiers: the name is a shortened form of hôpital des invalides. The architect of Les Invalides was Libéral Bruant. The enlarged project was completed in 1676, the river front measured 196 metres and the complex had fifteen courtyards. Jules Hardouin Mansart assisted the aged Bruant, and the chapel was finished in 1679 to Bruant"s designs after the elder architect"s death.
Shortly after the veterans" chapel was completed, Louis XIV commissioned Mansart to construct a separate private royal chapel referred to as the Église du Dôme from its most striking feature. Inspired by St. Peter"s Basilica in Rome, the original for all Baroque domes, it is one of the triumphs of French Baroque architecture. The domed chapel is centrally placed to dominate the court of honour. It was finished in 1708.
Because of its location and significance, the Invalides served as the scene for several key events in French history. On 14 July 1789 it was stormed by Parisian rioters who seized the cannons and muskets stored in its cellars to use against the Bastille later the same day. Napoleon was entombed under the dome of the Invalides with great ceremony in 1840. In December 1894 the degradation of Captain Alfred Dreyfus was held before the main building, while his subsequent rehabilitation ceremony took place in a courtyard of the complex in 1906.
The building retained its primary function of a retirement home and hospital for military veterans until the early twentieth century. In 1872 the musée d"artillerie (Artillery Museum) was located within the building to be joined by the Historical Museum of the Armies in 1896. The two institutions were merged to form the present musée de l"armée in 1905. At the same time the veterans in residence were dispersed to smaller centres outside Paris. The reason was that the adoption of a mainly conscript army, after 1872, meant a substantial reduction in the numbers of veterans having the twenty or more years of military service formerly required to enter the Hôpital des Invalides. The building accordingly became too large for its original purpose. The modern complex does however still include the facilities detailed below for about a hundred elderly or incapacitated former soldiers.