The Wooden articular church in Kežmarok was built by the local Lutherans during a period of religious persecution, when they were allowed to erect only wooden churches. That is why even nails were made exclusively of wood. The construction was financially supported by Protestants from various countries, including Sweden and Denmark.
The only stone part of the church is its sacristy, originally built in 1593 as a pub outside the city walls. In the 17th century, the Roman Catholic dynasty of Habsburgs persecuted Protestantism in the Habsburg Monarchy, which included territory of present Slovakia at that time. The number of churches was limited to one in each free royal town, Kežmarok being one of them. The construction material had to be the cheapest possible (wood at that time) and a church had to be completed in 365 days. Furthermore, the site of a new Protestant church had to be chosen by a royal commission. In Kežmarok, a royal commission deliberately chose an ancient pub as a place of worship, in order to humiliate the local Protestant community. The pub was subsequently incorporated into a hastily constructed religious building as a sacristy.
The oldest parts are an epitaph from 1688 and a Renaissance baptistery from 1690. They are the only remaining parts of the first church. The second wooden church, erected in the Baroque style in 1717, completely replaced the first building. It has the shape of an equal-armed Greek cross. The space can accommodate 1,541 worshipers. According to a legend, circular windows were made by Swedish sailors contributing to the construction. The organ, completed in 1729, is known for its perfect sound despite having only wooden pipes.
The church is one of only five Lutheran wooden churches remaining in Slovakia. It is part of the UNESCO World Heritage Site of Wooden Churches of the Slovak part of the Carpathian Mountain Area.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.