Levoča town has a historic center with a well preserved town wall, a Renaissance church with the highest wooden altar in World, carved by Master Paul of Levoča, and many other Renaissance buildings. Levoča is part of the UNESCO to World Heritage List of Levoča, Spiš Castle and the associated cultural monuments.
Levoča was inhabited as early as the Stone Age. In the 11th century, this region was conquered and, subsequently, became part of the Kingdom of Hungary and remained such until 1918. After the Mongol invasions of 1241/1242, the area was also settled by Germans. The town became the capital of the Association of Spiš Germans, with a form of self-rule within the Kingdom of Hungary. The oldest written reference to the city of Levoča dates back to 1249. In 1317, Levoča received the status of a royal town. In 1321 a wide storing right was granted enticing merchants, craftsmen and mine owners to settle in this town.
In the 15th century the town, located on an intersection of trade routes between Poland and Hungary, became a rich center of commerce. It exported iron, copper, furs, leather, corn, and wine. At the same time the town became an important cultural centre. The English humanist Leonard Cox taught around 1520 in a school in Levoča. The bookseller Brewer from Wittenberg transformed his bookstore in a prolific printing plant, that lasted for 150 years. Finally, one of the best-known medieval woodcarvers Master Paul of Levoča settled here.
The town kept this cultural and economic status until the end of 16th century, in spite of two damaging fires: the first in 1550 destroyed nearly all of the Gothic architecture and another in 1599. In this period of prosperity several churches were built and the town had a school, library, pharmacy, and physicians. There was a printing press as early as 1624. Levoča was a center of the Protestant Reformation in Northern Hungary. The town started to decline during the anti-Habsburg uprisings in the 17th century.
The old town is picturesquely sited and still surrounded by most of its ancient walls. The town square boasts three major monuments; the quaint Old Town Hall (15th-17th century) which now contains a museum, the domed Evangelical Lutheran Church (1837) and the 14th century Roman Catholic Church of St. James. It houses a magnificently carved and painted wooden Gothic altar, the largest in Europe, (18.62 m in height), created by Master Paul around 1520. The square is very well preserved and contains a number of striking buildings which were the townhouses of the local nobility in the late Middle Ages. Also notable in the square is the wrought iron 'Cage of Shame', dating back to the 17th century, used for public punishment of miscreants. A plaque on one of the houses records the printing and publication in the town of the most famous work of Comenius, the Orbis Pictus. Other buildings on the square house a historical museum and a museum dedicated to the work of Master Paul.
Behind the square on Kláštorská Street are the 14th-century church and remains of the old monastery of the Minorites, now incorporated into a Church grammar school. Nearby is the town's Polish Gate, a Gothic construction of the 15th century.References:
The Holy Trinity Column in Olomouc is a Baroque monument built in 1716–1754 in honour of God. The main purpose was a spectacular celebration of Catholic Church and faith, partly caused by feeling of gratitude for ending a plague, which struck Moravia between 1713 and 1715. The column was also understood to be an expression of local patriotism, since all artists and master craftsmen working on this monument were Olomouc citizens, and almost all depicted saints were connected with the city of Olomouc in some way. The column is the biggest Baroque sculptural group in the Czech Republic. In 2000 it was inscribed on the UNESCO World Heritage Sites list.
The column is dominated by gilded copper sculptures of the Holy Trinity accompanied by the Archangel Gabriel on the top and the Assumption of the Virgin beneath it.
The base of the column, in three levels, is surrounded by 18 more stone sculptures of saints and 14 reliefs in elaborate cartouches. At the uppermost stage are saints connected with Jesus’ earth life – his mother’s parents St. Anne and St. Joachim, his foster-father St. Joseph, and St. John the Baptist, who was preparing his coming – who are accompanied by St. Lawrence and St. Jerome, saints to whom the chapel in the Olomouc town hall was dedicated. Three reliefs represent the Three theological virtues Faith, Hope, and Love.
Below them, the second stage is dedicated to Moravian saints St. Cyril and St. Methodius, who came to Great Moravia to spread Christianity in 863, St. Blaise, in whose name one of the main Olomouc churches is consecrated, and patrons of neighbouring Bohemia St. Adalbert of Prague and St. John of Nepomuk, whose following was very strong there as well.
In the lowest stage one can see the figures of an Austrian patron St. Maurice and a Bohemian patron St. Wenceslas, in whose names two important Olomouc churches were consecrated, another Austrian patron St. Florian, who was also viewed as a protector against various disasters, especially fire, St. John of Capistrano, who used to preach in Olomouc, St. Anthony of Padua, a member of the Franciscan Order, which owned an important monastery in Olomouc, and St. Aloysius Gonzaga, a patron of students. His sculpture showed that Olomouc was very proud of its university. Reliefs of all twelve apostles are placed among these sculptures.
The column also houses a small chapel inside with reliefs depicting Cain's offering from his crop, Abel's offering of firstlings of his flock, Noah's first burnt offering after the Flood, Abraham's offering of Isaac and of a lamb, and Jesus' death. The cities of Jerusalem and Olomouc can be seen in the background of the last mentioned relief.