The ruins of Spiš Castle (Spišský hrad) is one of the largest castle sites in Central Europe. It was included in the UNESCO list of World Heritage Sites in 1993 (together with the adjacent locations of Spišská Kapitula, Spišské Podhradie and Žehra).
Spiš Castle was built in the 12th century on the site of an earlier castle. It was the political, administrative, economic and cultural centre of Szepes County of the Kingdom of Hungary. Before 1464, it was owned by the kings of Hungary, afterwards (until 1528) by the Zápolya family, the Thurzó family (1531–1635), the Csáky family (1638–1945), аnd (since 1945) by the state of Czechoslovakia then Slovakia.
Originally a Romanesque stone castle with fortifications, a two-story Romanesque palace and a three-nave Romanesque-Gothic basilica were constructed by the second half of the 13th century. A second extramural settlement was built in the 14th century, by which the castle area was doubled. The castle was completely rebuilt in the 15th century; the castle walls were heightened and a third extramural settlement was constructed. A late Gothic chapel was added around 1470. The Zápolya clan performed late Gothic transformations, which made the upper castle into a comfortable family residence, typical of late Renaissance residences of the 16th and 17th centuries. The last owners of the Spiš Castle, the Csáky family, abandoned the castle in the early 18th century because they considered it too uncomfortable to live in. They moved to the newly built nearby village castles/palaces in Hodkovce near Žehra and Spišský Hrhov.
In 1780, the castle burned down. It is not known how it burned down, but there are a few theories. One is that the Csáky family purposely burned it down to reduce taxes (no roofs back then meant no taxes). Another is that it was stuck by lightning, which started the fire. A third is that some soldiers there were making moonshine and managed to burn the castle. Whatever the case, after the fire, the castle was no longer occupied and began to fall into disrepair. The castle was partly reconstructed in the second half of the 20th century, and extensive archaeological research was carried out on the site. The reconstructed sections house displays of the Spiš Museum and things inside it, such as torture devices used in the castle.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.