St. Elisabeth Cathedral is Slovakia"s biggest church, as well as one of the easternmost Gothic cathedrals in Europe. The record on the existence of Košice, dating from 1230, is connected with that of the existence of the rectory church. According to historic data the present-day cathedral was built on the site of an edifice of older date which was consecrated to St. Elisabeth as well. It was referred to in the document of Pope Martin V of the year 1283 and in the letter of 1290, which stated that the bishop of Eger Andrew II exempted Košice parish from the dean"s sphere of jurisdiction.
This medieval monument was built in the High Gothic style between 1378 and 1508 in several stages on the site of a parish church that burned down in 1370, in memory of Saint Elisabeth of Hungary, the patron of all armed mercenaries and also Portugal.
The cathedral was often damaged by calamities (1556) and underwent numerous restorations. The most extensive restoration works took place in the years 1877-1896 by the drafts of Imre Steindl. The northern tower was completed in 1775, while the southern, Matthias tower in 1904. During the last phase of the restoration, a crypt was built under the northern nave of the cathedral. In 1906 the remains of Francis II Rákóczi and his friends from Rodosto were buried there.
On its southern side of the cathedral there is an entrance chamber with the royal oratory above it and chapels on its sides. The southern steeple, the so-called Matejova, dates from 1461 and the northern steeple with Rococo helm dating from 1775 complete the western front of the cathedral. The western portal is decorated with embossed scenes with the following biblical motifs: Jesus in the garden of Gethsemane, Piety and Towel of St. Verona. The richest and artistically the most valuable is the northern portal with the embossed painting. The Last Trial executed in two rows one above the other. Also to be seen here are embossed paintings from the life of St. Elisabeth, Virgin Mary with women, St. John with soldiers. Above them there is one more painting the Crucifixion. In the middle of the northern portal there is a sculpture of St. Elizabeth. The southern portal has two entrances and forms an integral part of the whole composition according to the original design of the southern entrance chamber.
The interior of the St. Elizabeth Cathedral is very imposing and valuable. In this respect particular mention should be made of the main altar of St. Elizabeth, a hanged sculpture of Immaculata, the Late Gothic altar Visit of Virgin Mary, a stone epitaph of the Reiner family, a wooden sculpture of Virgin Mary, fragments of the wall painting The Last Trial, the side altar of St. Anton Paduansky, a wall painting The Resurrection, the bronze font, the altar painting of St. Anna Metercia, Gothic Calvary, the lantern of the king Matthew, wooden polychrome sculptures, the side altar Worship of Three Kings, Neo-Gothic stone pulpit. Valuable masterpieces and relics are preserved in the treasury.References:
The famous Italian Medici family have given two queens to France: Catherine, the spouse of Henry II, and Marie, widow of Henry IV, who built the current Luxembourg palace. Maria di Medici had never been happy at the Louvre, still semi-medieval, where the fickle king, did not hesitate to receive his mistresses. The death of Henry IV, assassinated in 1610, left the way open for Marie's project. When she became regent, she was able to give special attention to the construction of an imposing modern residence that would be reminiscent of the Palazzo Pitti and the Boboli Gardens in Florence, where she grew up. The development of the 25-hectare park, which was to serve as a jewel-case for the palace, began immediately.
The architect, Salomon de Brosse, began the work in 1615. Only 16 years later was the palace was completed. Palace of Luxembourg affords a transition between the Renaissance and the Classical period.
In 1750, the Director of the King's Buildings installed in the wing the first public art-gallery in France, in which French and foreign canvases of the royal collections are shown. The Count of Provence and future Louis XVIII, who was living in Petit Luxembourg, had this gallery closed in 1780: leaving to emigrate, he fled from the palace in June 1791.
During the French Revolution the palace was first abandoned and then moved as a national prison. After that it was the seat of the French Directory, and in 1799, the home of the Sénat conservateur and the first residence of Napoleon Bonaparte, as First Consul of the French Republic. The old apartments of Maria di Medici were altered. The floor, which the 80 senators only occupied in 1804, was built in the middle of the present Conference Hall.
Beginning in 1835 the architect Alphonse de Gisors added a new garden wing parallel to the old corps de logis, replicating the look of the original 17th-century facade so precisely that it is difficult to distinguish at first glance the old from the new. The new senate chamber was located in what would have been the courtyard area in-between.
The new wing included a library (bibliothèque) with a cycle of paintings (1845–1847) by Eugène Delacroix. In the 1850s, at the request of Emperor Napoleon III, Gisors created the highly decorated Salle des Conférences, which influenced the nature of subsequent official interiors of the Second Empire, including those of the Palais Garnier.
During the German occupation of Paris (1940–1944), Hermann Göring took over the palace as the headquarters of the Luftwaffe in France, taking for himself a sumptuous suite of rooms to accommodate his visits to the French capital. Since 1958 the Luxembourg palace has been the seat of the French Senate of the Fifth Republic.