St. Urban Tower is originally a Gothic prismatic campanile with a pyramidal roof. It was erected in the 14th century. A church bell installed in the tower has been dedicated to Saint Urban, the patron of vine-dressers. The bell was cast in a mould by the bell-founder Franciscus Illenfeld of Olomouc in 1557. Its weight is 7 tonnes.
In 1775 the pyramidal roof was constructed with annion in the Baroque style with an iron double cross. An archade passage was erected around the tower in 1912. There are 36 old gravestones (coming from the 14th and 15th centuries, one of these comes from the Roman Empire and dates back to the 4th century) bricked into the exterior walls of the St. Urban Tower.
In 1966 the tower was damaged by fire and the St. Urban Bell was destroyed as well. The reconstructed tower was reopened in 1971. The renovated bell was located in the front of the tower and a copy of the bell (made by employees of VSŽ Steel Works Košice in 1996) was installed in the campanile.
The East Slovak Museum set up an impressive exhibition of foundrywork in the tower after the reconstruction in 1977. It was removed in 1995. Today, there is a unique wax museum exhibition in the tower.References:
The Abbey of Saint-Etienne, also known as Abbaye aux Hommes ('Men"s Abbey'), is a former monastery dedicated to Saint Stephen (Saint Étienne). It is considered, along with the neighbouring Abbaye aux Dames ('Ladies" Abbey'), to be one of the most notable Romanesque buildings in Normandy. Like all the major abbeys in Normandy, it was Benedictine.
Lanfranc, before being an Archbishop of Canterbury, was abbot of Saint-Etienne. Built in Caen stone during the 11th century, the two semi-completed churches stood for many decades in competition. An important feature added to both churches in about 1120 was the ribbed vault, used for the first time in France. The two abbey churches are considered forerunners of the Gothic architecture. The original Romanesque apse was replaced in 1166 by an early Gothic chevet, complete with rosette windows and flying buttresses. Nine towers and spires were added in the 13th century. The interior vaulting shows a similar progression, beginning with early sexpartite vaulting (using circular ribs) in the nave and progressing to quadipartite vaults (using pointed ribs) in the sanctuary.
The two monasteries were finally donated by William the Conqueror and his wife, Matilda of Flanders, as penalty for their marriage against the Pope"s ruling. William was buried here; Matilda was buried in the Abbaye aux Dames. Unfortunately William"s original tombstone of black marble, the same kind as Matilda"s in the Abbaye aux Dames, was destroyed by the Calvinist iconoclasts in the 16th century and his bones scattered.
As a consequence of the Wars of Religion, the high lantern tower in the middle of the church collapsed and was never rebuilt. The Benedictine abbey was suppressed during the French Revolution and the abbey church became a parish church. From 1804 to 1961, the abbey buildings accommodated a prestigious high school, the Lycée Malherbe. During the Normandy Landings in 1944, inhabitants of Caen found refuge in the church; on the rooftop there was a red cross, made with blood on a sheet, to show that it was a hospital (to avoid bombings).