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The Grand Kremlin Palace was built from 1837 to 1849 on the site of the estate of the Grand Princes, which had been established in the 14th century on Borovitsky Hill. Designed by a team of architects under the management of Konstantin Thon, it was intended to emphasise the greatness of Russian autocracy. Konstantin Thon was also the architect of the Kremlin Armoury and the Cathedral of Christ the Savior.
The Grand Kremlin Palace was formerly the tsar's Moscow residence. Its construction involved the demolition of the previous Baroque palace on the site, designed by Rastrelli, and the Church of St. John the Baptist, constructed to a design by Aloisio the New in place of the first church ever built in Moscow.
Thon's palace is 125 metres long, 47 metres high, and has a total area of about 25,000 square metres. It includes the earlier Terem Palace, nine churches from the 14th, 16th, and 17th centuries, the Holy Vestibule, and over 700 rooms. The buildings of the Palace form a rectangle with an inner courtyard. The building appears to be three stories, but is actually two. The upper floor has two sets of windows. The west building of the Palace held state reception halls and the imperial family's private chambers.
Its five reception halls are named for orders of the Russian Empire. Georgievsky Hall is used today for state and diplomatic receptions and official ceremonies. International treaties are signed at the Vladimirsky Hall. Such as the instance on June 1, 1988, U.S. President Ronald Reagan and Soviet General Secretary Mikhail Gorbachev signed the INF Treaty ratification. It also leads to the Palace of Facets, the Tsarina's Golden Chamber, Terem Palace, the Winter Palace, and the Palace of Congresses. Aleksandrovsky Hall and Andreyevsky Hall were combined in Soviet times to be used for meetings and conferences of the Supreme Soviet of the USSR; they were lavishly restored in accordance with Thon's designs in the 1990s.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.