The Kremlin Armory is one of the oldest museums of Moscow, established in 1808. The Kremlin Armoury originated as the royal arsenal in 1508. Until the transfer of the court to St Petersburg, the Armoury was in charge of producing, purchasing and storing weapons, jewelry and various household articles of the tsars. The finest Muscovite gunsmiths (the Vyatkin brothers), jewelers (Gavrila Ovdokimov), and painters (Simon Ushakov) used to work there. In 1640 and 1683, they opened the iconography and pictorial studios, where the lessons on painting and handicrafts could be given. In 1700, the Armoury was enriched with the treasures of the Golden and Silver chambers of the Russian tsars.
In 1711, Peter the Great had the majority of masters transferred to his new capital, St.Petersburg. 15 years later, the Armoury was merged with the Fiscal Yard (the oldest depository of the royal treasures), Stables Treasury (in charge of storing harnesses and carriages) and the Master Chamber (in charge of sewing clothes and bedclothes for the tsars). After that, the Armoury was renamed into the Arms and Master Chamber. Alexander I of Russia nominated the Armoury as the first public museum in Moscow in 1806, but the collections were not opened to the public until seven years later. The current Armoury building was erected in 1844-1851 by the imperial architect Konstantin Ton. The director of the museum from 1852 to 1870 was the writer Alexander Veltman.
After the Bolshevik Revolution, the Armoury collection was enriched with treasures taken from the Patriarch sacristy, Kremlin cathedrals, monasteries and private collections. Some of these were sold abroad on behest of Joseph Stalin in the 1930s. In 1960, the Armoury became the official museum of the Kremlin. Two years later, the Patriarch chambers and the Cathedral of the Twelve Apostles were assigned to the Armoury in order to house the Applied Arts Museum.
The Kremlin Armoury is currently home to the Russian Diamond Fund. It boasts unique collections of the Russian, Western European and Eastern applied arts spanning the period from the 5th to the 20th centuries. Some of the highlights include the Imperial Crown of Russia by jeweller Jérémie Pauzié, Monomakh's Cap, the ivory throne of Ivan the Terrible, and other regal thrones and regalia. The ten Fabergé eggs in the Armoury collection (all Imperial eggs) are the most Imperial eggs, and the second-most overall Fabergé eggs, owned by a single owner.
References:The Château de Chantilly comprises two attached buildings: the Petit Château built around 1560 for Anne de Montmorency, and the Grand Château, which was destroyed during the French Revolution and rebuilt in the 1870s. Owned by the Institut de France, the château houses the Musée Condé. It is one of the finest art galleries in France and is open to the public.
The estate"s connection with the Montmorency family began in 1484. The first mansion (now replaced by the Grand Château) was built in 1528–1531 for the Constable Anne de Montmorency by Pierre Chambiges. The Petit Château was also built for him, around 1560, probably by Jean Bullant. In 1632, after the death of Henri II, it passed to the Grand Condé who inherited it through his mother, Charlotte Marguerite de Montmorency.
Several interesting pieces of history are associated with the château during the 17th century.