Pergamon Museum, Berlin, Germany - SpottingHistory.com

The Pergamon Museum was designed by Alfred Messel and Ludwig Hoffmann and was constructed in twenty years, from 1910 to 1930. The Pergamon Museum houses original-sized, reconstructed monumental buildings such as the Pergamon Altar and the Market Gate of Miletus, all consisting of parts transported from Turkey.

The museum is subdivided into the antiquity collection, the Middle East museum, and the museum of Islamic art. The museum is visited by approximately 1,135,000 people every year, making it the most visited art museum in Germany.

By the time the Kaiser-Friedrich-Museum on Museum Island (today the Bodemuseum) had opened, it was clear that the museum was not large enough to host all of the art and archaeological treasures excavated under German supervision. Excavations were underway in Babylon, Uruk, Assur, Miletus, Priene and Egypt, and objects from these sites could not be properly displayed within the existing German museum system. As early as 1907, Wilhelm von Bode, the director of the Kaiser-Friedrich-Wilhelm-Museum had plans to build a new museum nearby to accommodate ancient architecture, German post-antiquity art, and Middle Eastern and Islamic art.

This large three-wing museum had been in planning since 1907; when Alfred Messel died in 1909 his close friend Ludwig Hoffman took charge of construction, which began in 1910. The construction continued during the First World War (1918) and the great inflation of the 1920s. In 1930, the building hosting the four museums opened.

The Pergamon Museum was severely damaged during the air attack on Berlin at the end of the Second World War. Many of the display objects were stored in safe places, and some of the large pieces were walled in for protection. In 1945, the Red Army collected all of the loose museum items, either as war booty or, ostensibly, to rescue them from looting and fires then raging in Berlin. Not until 1958 were most of the objects returned to East Germany. Significant parts of the collection remain in Russia. Some are currently stored in the Pushkin Museum in Moscow and the Hermitage in Saint Petersburg.

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Pergamon Museum

User Reviews

Vizma Boļše (35 days ago)
You must reserve a time slot, even with the Berlin Museum Pass. I would not recommend reserving the last time slot (from 17.15) as the museum closes at 18.00 and it is not physically possible to see the whole museum during that time. I was quite disappointed that I could not see half of the exposition due to this issue. The time slots get booked very quickly so reserve your time a few days before.

Nhat Nguyen (50 days ago)
The museum is currently under construction and has only 1/3 accessible. The exhibited item are quite boring except for the Gate of Ishtar. If you have the all access pass then maybe have a quick look.

Marciano (2 months ago)
Very impressive artifacts on display here. The presentation is absolutely gorgeous! The warmth inside ruined it a little bit, hard to have a chill view of all the works when you’re suffocating in a FFP2 mask. I’ll come back in winter I guess.

Anastasios Fotopoulos (2 months ago)
No museum is a bad place to be, but some museums are just More than others. The Pergamum Museum is a must-visit place for travelers and residents of Berlin alike. The archaeological finds in there are astonishing with the Ishtar's gate as the cornerstone of them. The Islamic art section is also magnificent and holding a vast range of not only items, but also parts of houses and calligraphy works. The only one thing that took a little from the experience was that the items were not matched to their descriptions numerically, which made it a bit hard to read

Ari R (3 months ago)
Maintaining museums is art by itself. This one exceeds expectations in so many ways. 1. Family friendly - they offer activity books for children so that they aren't bored out of their nerves 2. The location within the city is fantastic, very practical 3. Providing interactive devices for audio walkthrough is practical 4. Ability to not disown History but remember its flaws held the truth closer than ever A must visit if you're in Berlin

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Historic Site of the week

Veste Coburg

The Veste Coburg is one of Germany's largest castles. The hill on which the fortress stands was inhabited from the Neolithic to the early Middle Ages according to the results of excavations. The first documentary mention of Coburg occurs in 1056, in a gift by Richeza of Lotharingia. Richeza gave her properties to Anno II, Archbishop of Cologne, to allow the creation of Saalfeld Abbey in 1071. In 1075, a chapel dedicated to Saint Peter and Saint Paul is mentioned on the fortified Coberg. This document also refers to a Vogt named Gerhart, implying that the local possessions of the Saalfeld Benedictines were administered from the hill.

A document signed by Pope Honorius II in 1206 refers to a mons coburg, a hill settlement. In the 13th century, the hill overlooked the town of Trufalistat (Coburg's predecessor) and the important trade route from Nuremberg via Erfurt to Leipzig. A document dated from 1225 uses the term schloss (palace) for the first time. At the time, the town was controlled by the Dukes of Merania. They were followed in 1248 by the Counts of Henneberg who ruled Coburg until 1353, save for a period from 1292-1312, when the House of Ascania was in charge.

In 1353, Coburg fell to Friedrich, Markgraf von Meißen of the House of Wettin. His successor, Friedrich der Streitbare was awarded the status of Elector of Saxony in 1423. As a result of the Hussite Wars the fortifications of the Veste were expanded in 1430.

Early modern times through Thirty Years' War

In 1485, in the Partition of Leipzig, Veste Coburg fell to the Ernestine branch of the family. A year later, Elector Friedrich der Weise and Johann der Beständige took over the rule of Coburg. Johann used the Veste as a residence from 1499. In 1506/07, Lucas Cranach the Elder lived and worked in the Veste. From April to October 1530, during the Diet of Augsburg, Martin Luther sought protection at the Veste, as he was under an Imperial ban at the time. Whilst he stayed at the fortress, Luther continued with his work translating the Bible into German. In 1547, Johann Ernst moved the residence of the ducal family to a more convenient and fashionable location, Ehrenburg Palace in the town centre of Coburg. The Veste now only served as a fortification.

In the further splitting of the Ernestine line, Coburg became the seat of the Herzogtum von Sachsen-Coburg, the Duchy of Saxe-Coburg. The first duke was Johann Casimir (1564-1633), who modernized the fortifications. In 1632, the fortress was unsuccessfully besieged by Imperial and Bavarian forces commanded by Albrecht von Wallenstein for seven days during the Thirty Years' War. Its defence was commanded by Georg Christoph von Taupadel. On 17 March 1635, after a renewed siege of five months' duration, the Veste was handed over to the Imperials under Guillaume de Lamboy.

17th through 19th centuries

From 1638-72, Coburg and the Veste were part of the Duchy of Saxe-Altenburg. In 1672, they passed to the Dukes of Saxe-Gotha and in 1735 it was joined to the Duchy of Saxe-Saalfeld. Following the introduction of Primogeniture by Duke Franz Josias (1697-1764), Coburg went by way of Ernst Friedrich (1724-1800) to Franz (1750-1806), noted art collector, and to Duke Ernst III (1784-1844), who remodeled the castle.

In 1826, the Duchy of Saxe-Coburg-Gotha was created and Ernst now styled himself 'Ernst I'. Military use of the Veste had ceased by 1700 and outer fortifications had been demolished in 1803-38. From 1838-60, Ernst had the run-down fortress converted into a Gothic revival residence. In 1860, use of the Zeughaus as a prison (since 1782) was discontinued. Through a successful policy of political marriages, the House of Saxe-Coburg and Gotha established links with several of the major European dynasties, including that of the United Kingdom.

20th century

The dynasty ended with the reign of Herzog Carl Eduard (1884-1954), also known as Charles Edward, Duke of Saxe-Coburg and Gotha, a grandson of Queen Victoria, who until 1919 also was the 2nd Duke of Albany in the United Kingdom. Under his rule, many changes made to the Veste in the 19th century were reversed under architect Bodo Ebhardt, with the aim of restoring a more authentic medieval look. Along with the other ruling princes of Germany, Carl Eduard was deposed in the revolution of 1918-1919. After Carl Eduard abdicated in late 1918, the Veste came into possession of the state of Bavaria, but the former duke was allowed to live there until his death. The works of art collected by the family were gifted to the Coburger Landesstiftung, a foundation, which today runs the museum.

In 1945, the Veste was seriously damaged by artillery fire in the final days of World War II. After 1946, renovation works were undertaken by the new owner, the Bayerische Verwaltung der staatlichen Schlösser, Gärten und Seen.

Today

The Veste is open to the public and today houses museums, including a collection art objects and paintings that belonged to the ducal family of Saxe-Coburg and Gotha, a large collection of arms and armor, significant examples of early modern coaches and sleighs, and important collections of prints, drawings and coins.

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