The Alte Nationalgalerie (Old National Gallery) in Berlin is a gallery showing a collection of Neoclassical, Romantic, Biedermeier, Impressionist and early Modernist artwork. It is the original building of the National Gallery, whose holdings are now housed in several additional buildings. It is situated on Museum Island, a UNESCO-designated World Heritage Site.
The idea of establishing a cultural and educational centre across from the Berlin Palace dates back to the time of Friedrich Wilhelm IV, who dreamt of creating a 'sanctuary for art and science' on the site. The basic architectural concept for the Alte Nationalgalerie – a temple-like building raised on a plinth decorated with motifs from antiquity – came from the king himself. The building was designed by Friedrich August Stüler, a student of Schinkel who also designed the Neues Museum. It was completed after Stüler’s death by another of Schinkel’s students, Johann Heinrich Strack.
The initial impetus for the construction of the Nationalgalerie was a bequest to the Prussian state in 1861 from the banker and consul Johann Heinrich Wilhelm Wagener, whose collection featured works by Caspar David Friedrich, Karl Friedrich Schinkel, painters from the Düsseldorf school, and history painters from Belgium. The bequest came with the stipulation that the paintings were to be publicly displayed in a 'suitable location'. Just one year later Stüler received the commission to draw up plans for the building. After ten years of construction the Nationalgalerie ceremoniously opened on 21 March 1876 for the birthday of Kaiser Wilhelm I, becoming the third museum on the island in the Spree.
The building suffered direct hits on several occasions during the aerial bombardment of the Second World War, sustaining heavy damage particularly after 1944. The collection itself had gradually been evacuated with the war’s onset. Among other places, it was stored in Berlin’s anti-aircraft towers near the zoo and in Friedrichshain, as well as in the salt and potash repositories in Merkers and Grasleben.
After the war’s end the building was quickly though provisionally restored; parts of it were re-opened in 1949. The second floor was made accessible to visitors one year later.
During the division of Germany, the 19th-century paintings that had survived the war in Western zones of occupation were housed in the Neue Nationalgalerie, starting in 1968, and in Schloss Charlottenburg’s Gallery of Romanticism from 1986. After the fall of the Berlin wall, the growing collections were united in their original building, now called the Alte Nationalgalerie, on Berlin’s Museumsinsel. Accommodating the collection meant repairing the damage the war had wrought to the building as well as adding new rooms. The architectural firm HG Merz Berlin was entrusted with this work in 1992. In March of 1998 the Alte Nationalgalerie was closed for renovations. The museum was finally re-opened in December 2001, marking its 125th anniversary.References:
Eketorp is an Iron Age fort in southeastern Öland, which was extensively reconstructed and enlarged in the Middle Ages. Throughout the ages the fortification has served a variety of somewhat differing uses: from defensive ringfort, to medieval safe haven and thence a cavalry garrison. In the 20th century it was further reconstructed to become a heavily visited tourist site and a location for re-enactment of medieval battles. Eketorp is the only one of the 19 known prehistoric fortifications on Öland that has been completely excavated, yielding a total of over 24,000 individual artifacts. The entirety of southern Öland has been designated as a World Heritage Site by UNESCO. The Eketorp fortification is often referred to as Eketorp Castle.
The indigenous peoples of the Iron Age constructed the original fortification about 400 AD, a period known to have engendered contact between Öland natives with Romans and other Europeans. The ringfort in that era is thought to have been a gathering place for religious ceremonies and also a place of refuge for the local agricultural community when an outside enemy appeared. The circular design was believed to be chosen because the terrain is so level that attack from any side was equally likely. The original diameter of this circular stone fortification was about 57 metres. In the next century the stone was moved outward to construct a new circular structure of about 80 metres in diameter. At this juncture there were known to be about fifty individual cells or small structures within the fort as a whole. Some of these cells were in the center of the fortified ring, and some were actually built into the wall itself.
In the late 600s AD the ringfort was mysteriously abandoned, and it remained unused until the early 11th century. This 11th century work generally built upon the earlier fort, except that stone interior cells were replaced with timber structures, and a second outer defensive wall was erected.
Presently the fort is used as a tourist site for visitors to Öland to experience a medieval fortification for this region. A museum within the castle walls displays a few of the large number of artefacts retrieved by the National Heritage Board during the major decade long excavation ending in 1974. Inside the fort visitors are greeted by actors in medieval costumes who assume the roles of period artisans and merchants who might have lived there nine centuries earlier. There are also re-enactment scenes of skirmishes and other dramatic events of daily life from the Middle Ages.
Eketorp lies a few kilometers west of Route 136. There is an ample unpaved parking area situated approximately two kilometers west of the paved Öland perimeter highway. There is also a gift shop on site. During peak summer visitation, there are guided tours available. Visitors are assessed an admission charge.