The Topography of Terror (Topographie des Terrors) is an outdoor and indoor history museum. It is located on Niederkirchnerstrasse, formerly Prinz-Albrecht-Strasse, on the site of buildings which during the Nazi regime from 1933 to 1945 were the headquarters of the Gestapo and the SS, the principal instruments of repression during the Nazi era.
The buildings that housed the Gestapo and SS headquarters were largely destroyed by Allied bombing during early 1945 and the ruins demolished after the war. The boundary between the American and Soviet zones of occupation in Berlin ran along the Prinz-Albrecht-Strasse, so the street soon became a fortified boundary, and the Berlin Wall ran along the south side of the street, renamed Niederkirchnerstrasse, from 1961 to 1989. The wall here was never demolished. Indeed the section adjacent to the Topography of Terror site is the longest extant segment of the outer wall (the longer East Side Gallery section in Friedrichshain being actually part of the inner wall not visible from West Berlin).
The first exhibitions of the site took place in 1987, as part of Berlin's 750th anniversary. The cellar of the Gestapo headquarters, where many political prisoners were tortured and executed, were found and excavated. The site was then turned into a memorial and museum, in the open air but protected from the elements by a canopy, detailing the history of repression under the Nazis. The excavation took place in cooperation with East German researchers, and a joint exhibition was shown both at the site and in East Germany in 1989.
In 1992, two years after German reunification, a foundation was established to take care of the site, and the following year, it initiated an architectural competition to design a permanent museum. A design by architect Peter Zumthor was chosen. However, construction was stopped due to funding problems after the concrete core of the structure had been built. This stood on the site for nearly a decade until it was finally demolished in 2004 and a new building begun.
The construction of the new Documentation Center according to a prize-winning design by the architect Ursula Wilms and the landscape architect Heinz W. Hallmann (Aachen) was finished in 2010. The new Documentation Center was officially opened on May 6, 2010 by Federal President Horst Köhler on the occasion of the 65th anniversary of the end of World War II. The new exhibition and documentation building and the redesigned historic grounds were opened to the public on May 7, 2010.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.