Roman Baths

Potsdam, Germany

The Roman Baths reflect the Italiensehnsucht of its creator Frederick William IV of Prussia. Various classical Roman and antique Italian styles were melded into an architectural ensemble, created between 1829 and 1840.

While still crown prince, Frederick William commissioned both Charlottenhof (1826-1829) and the Roman Baths (1834-1840). Coming up with numerous ideas and drawing many actual drafts, the artistically inclined heir to the throne had considerable influence on the plans of the architect, Karl Friedrich Schinkel. Charged with managing the actual construction was one of Schinkel's students, Ludwig Persius.

The gardener's house (Gärtnerhaus) (1829-30) and the adjacent house for the gardener's helpers (1832) were both built in Italian country villa style (Landhausstil). The Roman Bath, which gave its name to the ensemble in its entirety, was styled after ancient villas. Together with a small tea pavilion (Teepavillon) (1830), modelled on temples of classical antiquity, they form a complex of buildings tied together by pergolas, arcades and garden spaces. The individual buildings were largely inspired by Schinkel's second trip to Italy in 1828. Thus the Roman Bath, which has never actually been used as a bathing facility, came into being thanks purely to the romantic fantasy of the royal Italophile.

The names of the rooms connote a mixture of antique villas and Roman baths. The atrium, the courtyard of a Roman house, is the reception area. The Impluvium, actually only a glorified rainwater-collection device, gives its name to the whole room in which it is located. The Viridarium (greenhouse) is actually a small garden. Additional names associated with Roman thermal baths are Apodyterium for the changing room and Caldarium.

The whole nostalgic creation is on the bank of an artificial lake created during Peter Joseph Lenné's formation of the Charlottenhof areal. The so-called machine pond (Maschinenteich) gets its name from a steam engine building and an adjacent pumping station torn down in 1923. The large hull of a well marks the location of the former building. The steam engine was not just responsible for keeping the artificial waters of Charlottenhof moving – its smokestacks were also a symbol of progress and what was at its time advanced technology.

References:

Comments

Your name



Details

Founded: 1829-1840
Category: Palaces, manors and town halls in Germany
Historical period: German Confederation (Germany)

More Information

www.spsg.de
en.wikipedia.org

Rating

4.4/5 (based on Google user reviews)

User Reviews

Karol Giraldo (3 years ago)
I didn’t take many pictures of the place, sorry But i can recommend it. It’s a beautiful place with a beautiful garden. I saw from other reviews that there is a museum inside the building and apparently it’s nice. However you need to pay around 5€ to get in and I didn’t do it because I thought it was just to see the garden. Would recommend it if you want to know more about it and see the inside plus the baths. Otherwise, the outside is also quite nice and the flowers are ?
Amit Herekar (3 years ago)
Beautiful location. Definitely worth a visit for great photography experience
Thorsten Wulff (3 years ago)
It looks like Augustus dropped everything and stormed back to defend the Limes The perfect portrait location!
Ramona Atkinson (5 years ago)
Closed in the winter. Has a nice architecture on the outside. Looks old and rundown like an abandoned building on the outside but don't let that fool you it is still in operation.
Powered by Google

Featured Historic Landmarks, Sites & Buildings

Historic Site of the week

Rosenborg Castle

Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.

The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.

Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.