Glienicke Palace, Wannsee, Germany

Glienicke Palace was designed by Karl Friedrich Schinkel for Prince Carl of Prussia in 1826, The building, originally merely a cottage, was turned into a summer palace in the late classical style. Particularly striking are two golden lion statues in front of the frontage, which were also designed by Schinkel. The lions are versions of the Medici lions from the Villa Medici. In the palace are antique objets d'art, which the Prince brought back from his trips. The palace's park is now called the Volkspark Glienicke. The palace and park are UNESCO World Heritage sites as part of the Palaces and Parks of Potsdam and Berlin since 1990.

References:

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User Reviews

Roy Alfia (2 years ago)
Such a beautiful quite place. The Schloss (Palace) was built in 1826 and designed by Karl Friedrich Schinkel. Never too crowded, has a calming atmosphere, lovely areas to stop and relax and even a nice Café. The place also presents paintings and statues. About 10 minutes walk from there you will find the Glienicke Brücke (Bridge) that was completed in 1907, don't miss the view from it.

Y H (2 years ago)
Beautiful place

Dorottya Balla (2 years ago)
Beautiful architecture, peaceful garden and gorgeous view of Wannsee.

David Oakland (2 years ago)
Beautiful spot in the park

Natascha Mieke (4 years ago)
we went here for a wedding. it is a breathtakingly beautiful place. The staff were very professional and friendly. It's a short (50m) walk from the closest bus stop and is also very accessible by car. Loved it!

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In 1151 King Konrad III ended a dispute over who should inherit Cochem Castle by laying siege to it and taking possession of it himself. That same year it became an official Imperial Castle (Reichsburg) subject to imperial authority. In 1282 it was Habsburg King Rudolf’s turn, when he conquered the Reichsburg Cochem and took it over. But just 12 years later, in 1294, the newest owner, King Adolf of Nassau pawned the castle, the town of Cochem and the surrounding region in order to finance his coronation. Adolf’s successor, Albrecht I, was unable to redeem the pledge and was forced to grant the castle to the archbishop in nearby Trier and the Electorate of Trier, which then administered the Reichsburg continuously, except for a brief interruption when Trier’s Archbishop Balduin of Luxembourg had to pawn the castle to a countess. But he got it back a year later.

The Electorate of Trier and its nobility became wealthy and powerful in large part due to the income from Cochem Castle and the rights to shipping tolls on the Moselle. Not until 1419 did the castle and its tolls come under the administration of civil bailiffs (Amtsmänner). While under the control of the bishops and electors in Trier from the 14th to the 16th century, the castle was expanded several times.

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Louis Jacques Ravené (1823-1879) did not live to see the completion of his renovated castle, but it was completed by his son Louis Auguste Ravené (1866-1944). Louis Auguste was only two years old when construction work at the old ruins above Cochem began in 1868, but most of the new castle took shape from 1874 to 1877, based on designs by Berlin architects. After the death of his father in 1879, Louis Auguste supervised the final stages of construction, mostly involving work on the castle’s interior. The castle was finally completed in 1890. Louis Auguste, like his father, a lover of art, filled the castle with an extensive art collection, most of which was lost during the Second World War.

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