Schloss Köpenick is a Baroque water palace of the Hohenzollern electors of Brandenburg which stands on an island in the Dahme River surrounded by an English-style park and gives its name to Köpenick, a district of Berlin.
The castle was originally built on the foundations of a Slavic castle (6th century) in 1558 as a hunting lodge by order of Elector Joachim II Hector of Brandenburg. The building in a Renaissance style was located on the river island at the site of the former medieval fort. Joachim II died here in 1571. In 1631 it served as the headquarters of King Gustavus Adolphus of Sweden, where he - without results - asked his brother-in-law Elector George William for assistance in the Thirty Years' War.
Frederick I of Prussia had the lodge rebuilt and enlarged from 1677 and lived here together with his first wife Elizabeth Henrietta of Hesse-Kassel. In 1730 Frederick II of Prussia, then Crown Prince, and his friend Hans Hermann von Katte faced the court-martial for desertion at Schloss Köpenick. Today the castle surrounded by a small park serves as the Museum of Decorative Arts, run by the Prussian Cultural Heritage Foundation as part of the Berlin State Museums.
Since 1963, Köpenick Palace has been used by the Kunstgewerbemuseum as an exhibition space. Being renovated in 2004, the palace accommodates museum of arts with the permanent exhibition 'RoomArt', featuring the decorative arts of the Renaissance, Baroque and Rococo periods. The museum also presents the outstanding masterworks in interior design from the 16th to 18th centuries.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.